Ivan Ivchenko Lith Print Slavich Unibrom handmade developer

Ivan Ivchenko Lith Print Slavich Unibrom handmade developer

Dmitry Agafonkin Lith Print Old Unibrom. Homemade developer. Split toned Sepia & Gold

Dmitry Agafonkin Lith Print Old Unibrom.

Frosted Fishpond Fischenich - Warm Up 2010 The paper I really miss very much, the unique genuine Oriental New Seagull in the blue box. Omega-Lithprint

Frosted Fishpond Fischenich - Warm Up 2010 The paper I really miss very much, the unique genuine Oriental New Seagull in the blue box.

Apple and Pears pinhole (zero image 4x5) lith version on PW15 It is not a typical Polywarmtone lithprint. What I wanted to achieve was: a reddish hue, a little more grain as usual with this paper and pronounced deep shadows with a clear separation to the neighbouring zones. All in all not easy with such a high contrast negative. It needs a lot of overexposure for the highlights – bad for the shades. That is why I played with a 3-bath development.

Lith Ω, how it works Lith Ω is used as a second bath after lith development to increase the saturation and densities of lith prints on warm tone.

Ivan Ivchenko Lith print Slavich Unibrom 160 Handmade Developer

Ivan Ivchenko Lith print Slavich Unibrom 160 Handmade Developer

Dmitry Agafonkin Lith-print Old Unibrom in handmade developer HQ 30g/l SS 10g/l PB 20g/l NaOH 25g/l

Dmitry Agafonkin Lith-print Old Unibrom in handmade developer HQ SS PB NaOH

Дмитрий Агафонкин

Дмитрий Агафонкин

Dmitry Agafonkin Lith-print

Dmitry Agafonkin Lith-print

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