In the summer of 1970, after popping into a pub for a pint, rock keyboardist Keith Emerson sat down at his enormous Moog modular synthesizer in London’s legendary Advision recording studio and noodled a few improvised notes. His goal was to add some electronic punch to the end of a mostly acoustic-guitar number called Lucky … Continue reading "Hail The Synthesizer And The Electronics Whiz Kids Who Gave the 1980s Its Signature Sound"
