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Viewing Mark Rothko's 'No. 14, 1960' at San Francisco Museum of Modern Art (SFMOMA)  I just saw this the other day. I never used to appreciate Rothko, but seeing this painting up close changed my mind.  Seemingly simple enough, but each stroke is actually very purposeful.

Viewing Mark Rothko's 'No. 14, 1960' at San Francisco Museum of Modern Art (SFMOMA) I just saw this the other day. I never used to appreciate Rothko, but seeing this painting up close changed my mind. Seemingly simple enough, but each stroke is actually very purposeful.

Xavier: de tout un peu: Mark Rothko et Léopold Plomteux

Xavier: de tout un peu: Mark Rothko et Léopold Plomteux

Mark Rothko: Mark Rothko

Mark Rothko: Mark Rothko

Mark Rothko

Mark Rothko

primary colors art by Jules Olitski - Cleopatra Flesh (1962)

primary colors art by Jules Olitski - Cleopatra Flesh (1962)

No. 21 - 1949.  Mark Rothko - In the pivotal year of 1949, Rothko distanced himself from his Surrealist-inspired work of the 1940s and began to explore pure abstraction by painting soft-focus squares in diaphanous colors.

No. 21 - 1949. Mark Rothko - In the pivotal year of 1949, Rothko distanced himself from his Surrealist-inspired work of the 1940s and began to explore pure abstraction by painting soft-focus squares in diaphanous colors.

loverofbeauty:  Jackson Pollock:  Black and White Painting   (1952)

loverofbeauty: Jackson Pollock: Black and White Painting (1952)

Mark Rothko  #lapinspirationcontest #art

Mark Rothko #lapinspirationcontest #art

Mark Rothko. His paintings have really got to be seen to be fully appreciated. Seeing them fills me with a special kind of reverie.

Mark Rothko. His paintings have really got to be seen to be fully appreciated. Seeing them fills me with a special kind of reverie.

“Tragedy, Ecstasy and Doom” – The Paintings Of Mark Rothko Be Sure To Visit: http://universalthroughput.imobileappsys.com/

“Tragedy, Ecstasy and Doom” – The Paintings Of Mark Rothko Be Sure To Visit: http://universalthroughput.imobileappsys.com/

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