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Entourage de Francesco Primaticcio dit Primatice, personnage costumé en bosquet ou en forêt. paris, musée du Louvre, département des arts graphiques. DR.

Entourage de Francesco Primaticcio dit Primatice, personnage costumé en bosquet ou en forêt. paris, musée du Louvre, département des arts graphiques. DR.

Top 10 Amazing Facts about Louis XIV - http://www.toptenz.net/top-10-amazing-facts-louis-xiv.php

Top 10 Amazing Facts about the Extraordinary King Louis XIV

Top 10 Amazing Facts about Louis XIV - http://www.toptenz.net/top-10-amazing-facts-louis-xiv.php

Ballet des noces de Pélée et Thétis. Vénus Ecole : Ecole française (C) RMN-Grand Palais (Institut de France) / Agence Bulloz Période : 17e siècle, période moderne (Europe occidentale) Localisation : Paris, bibliothèque de l'Institut

Ballet des noces de Pélée et Thétis. Vénus Ecole : Ecole française (C) RMN-Grand Palais (Institut de France) / Agence Bulloz Période : 17e siècle, période moderne (Europe occidentale) Localisation : Paris, bibliothèque de l'Institut

Loretta Young, 1920s                                                                                                                                                                                 More

Loretta Young, 1920s More

"It was a shame--she couldn't see past her own beastly bouffant--and I mean that quite literally."

"It was a shame--she couldn't see past her own beastly bouffant--and I mean that quite literally."

Costume  from the intermezzo "La Pellegrina" (1589) by the architect Bernardo Buontalenti. This intermezzo was held in honour of Ferdinand I of Medici and Christine of Lorraine's wedding. 286 costumes were made for this event.

Costume from the intermezzo "La Pellegrina" (1589) by the architect Bernardo Buontalenti. This intermezzo was held in honour of Ferdinand I of Medici and Christine of Lorraine's wedding. 286 costumes were made for this event.

Costume for Influence of the Stars from "Tempe Restored"

Costume for Influence of the Stars from "Tempe Restored"

Lady Paget incarnant la reine Cléopatre, costume de la maison de couture parisienne Worth, 1897. Coiffe égyptienne des rois reconnaissable dans sa forme et ses rayures horizontales

Lady Paget incarnant la reine Cléopatre, costume de la maison de couture parisienne Worth, 1897. Coiffe égyptienne des rois reconnaissable dans sa forme et ses rayures horizontales

An engraving done by Jean Baptiste Martin, a French costume designer in the 18th century. Few facts are known about him: he was the immediate successor of François Boucher at the Paris Opéra from July 1748 until 1757 or 1758… He designed costumes for opéras-ballets by Rameau and revivals of Lully and Charpentier. I did a post on Bastion & Lark about these engravings, please stop by and have a look.

An engraving done by Jean Baptiste Martin, a French costume designer in the 18th century. Few facts are known about him: he was the immediate successor of François Boucher at the Paris Opéra from July 1748 until 1757 or 1758… He designed costumes for opéras-ballets by Rameau and revivals of Lully and Charpentier. I did a post on Bastion & Lark about these engravings, please stop by and have a look.

18th Century Opera Costume

18th Century Opera Costume

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