Krystyna Kolowca
Więcej pomysłów od użytkownika Krystyna
płyta Rynku Głównego… Fot. Stanisław Kolowca, lata 30. XX w., wł. MHK.

płyta Rynku Głównego… Fot. Stanisław Kolowca, lata 30. XX w., wł. MHK.

Sieh dir dieses Instagram-Foto von @k.kolowca an • Gefällt 27 Mal

Sieh dir dieses Instagram-Foto von @k.kolowca an • Gefällt 27 Mal

Astilbe hybrid (False Spirea)

Astilbe hybrid (False Spirea)

DETA2-2250.jpg 500×750 pixels

DETA2-2250.jpg 500×750 pixels

Lot : Kolowca Krystyna - Forest IV, 2013, 75 x 100 cm, digital print | Dans la vente X STALOWA Jeunes Artistes à Stalowa Art Gallery

Lot : Kolowca Krystyna - Forest IV, 2013, 75 x 100 cm, digital print | Dans la vente X STALOWA Jeunes Artistes à Stalowa Art Gallery

Katalog VIII STALOWEJ AUKCJI MŁODEJ SZTUKI  Aukcja młotkowa odbędzie się 15 października 2014 o godz. 19:00 w siedzibie galerii: Galeria STALOWA, ul. Stalowa 26, 03-426 Warszawa. Zapraszamy!

Katalog VIII STALOWEJ AUKCJI MŁODEJ SZTUKI Aukcja młotkowa odbędzie się 15 października 2014 o godz. 19:00 w siedzibie galerii: Galeria STALOWA, ul. Stalowa 26, 03-426 Warszawa. Zapraszamy!

CRL.ludLOVE / Karolina Zięba prepared two outfits: for a tomboy and for a girl more into skirts and dresses. Both use high-quality natural fabrics and invoke traditional folk costumes. The designer looked for inspiration in the past and tradition. She chose only all-natural fabrics: smooth unbleached cotton, thick striped cloth, thin and delicate cotton. The clothes were sewn using traditional methods, with no overlock stitching, and covered seams.

CRL.ludLOVE / Karolina Zięba prepared two outfits: for a tomboy and for a girl more into skirts and dresses. Both use high-quality natural fabrics and invoke traditional folk costumes. The designer looked for inspiration in the past and tradition. She chose only all-natural fabrics: smooth unbleached cotton, thick striped cloth, thin and delicate cotton. The clothes were sewn using traditional methods, with no overlock stitching, and covered seams.

CRL.ludLOVE / Karolina Zięba prepared two outfits: for a tomboy and for a girl more into skirts and dresses. Both use high-quality natural fabrics and invoke traditional folk costumes. The designer looked for inspiration in the past and tradition. She chose only all-natural fabrics: smooth unbleached cotton, thick striped cloth, thin and delicate cotton. The clothes were sewn using traditional methods, with no overlock stitching, and covered seams.

CRL.ludLOVE / Karolina Zięba prepared two outfits: for a tomboy and for a girl more into skirts and dresses. Both use high-quality natural fabrics and invoke traditional folk costumes. The designer looked for inspiration in the past and tradition. She chose only all-natural fabrics: smooth unbleached cotton, thick striped cloth, thin and delicate cotton. The clothes were sewn using traditional methods, with no overlock stitching, and covered seams.

My Photoshoot  CRL.ludLOVE / Karolina Zięba prepared two outfits: for a tomboy and for a girl more into skirts and dresses. Both use high-quality natural fabrics and invoke traditional folk costumes. The designer looked for inspiration in the past and tradition. She chose only all-natural fabrics: smooth unbleached cotton, thick striped cloth, thin and delicate cotton. The clothes were sewn using traditional methods, with no overlock stitching, and covered seams.

My Photoshoot CRL.ludLOVE / Karolina Zięba prepared two outfits: for a tomboy and for a girl more into skirts and dresses. Both use high-quality natural fabrics and invoke traditional folk costumes. The designer looked for inspiration in the past and tradition. She chose only all-natural fabrics: smooth unbleached cotton, thick striped cloth, thin and delicate cotton. The clothes were sewn using traditional methods, with no overlock stitching, and covered seams.

abstraction, the actual object in the real environment

abstraction, the actual object in the real environment