Kasia Chmura-Cegiełkowska

Kasia Chmura-Cegiełkowska

Kasia Chmura-Cegiełkowska
Więcej pomysłów od użytkownika Kasia
Basiskennis Fotografie: Uitleg over sluitertijd (via Vink Academy - Fotografielessen van Laura Vink):

Basiskennis Fotografie: Uitleg over sluitertijd (via Vink Academy - Fotografielessen van Laura Vink):

06912e97ec78957af99deb960322ed19.jpg (736×572)

06912e97ec78957af99deb960322ed19.jpg (736×572)

Sid Vasandani Photography: Shooting on a White Seamless

Sid Vasandani Photography: Shooting on a White Seamless

Daniel Kaplavka 1/80 sec. f/9 ISO: 160 Focal Length 85 mm Exposure Bias Canon EOS 5D Mark II Lights Used Strobe Softbox

Daniel Kaplavka 1/80 sec. f/9 ISO: 160 Focal Length 85 mm Exposure Bias Canon EOS 5D Mark II Lights Used Strobe Softbox

on-location-model-photography-lighting-diagram

on-location-model-photography-lighting-diagram

Light schemes for studio photography. All pins from: https://www.facebook.com/fotostudio76.nl

Light schemes for studio photography. All pins from: https://www.facebook.com/fotostudio76.nl

Studio Harcourt, Paris. They use no flash only Tungsten lighting. Each part of the body or the face is illuminated separately by a light with a power of 500watt. Each light have also barndoors, so the photographer can manipulate the beam of light, a small part is lighted. Noticed the use of reflectors to lower the contrast in the shadows. Camerasetting: f5,6 for a small DOF 1/125sec for a not blurry portrait and 85mm as lens. There’s little postproduction, only the contrast is set higher.

Studio Harcourt, Paris. They use no flash only Tungsten lighting. Each part of the body or the face is illuminated separately by a light with a power of 500watt. Each light have also barndoors, so the photographer can manipulate the beam of light, a small part is lighted. Noticed the use of reflectors to lower the contrast in the shadows. Camerasetting: f5,6 for a small DOF 1/125sec for a not blurry portrait and 85mm as lens. There’s little postproduction, only the contrast is set higher.

Example of illumination using a 100x100cm translucent panel with two Cactus RF-60 wireless flash heads. Nikon D3 + Cactus V6 TX, Nikkor 70-200mm VRII f2.8G, 1/80sec @ f 2.8, ISO 1250, Fluorescent WB. Model: Emanuela. Detailed image of the flash heads mounted on the accessory bar and equipped with “FULL GREEN” colour correction filters, which are essential to ensure chromatic balance between the subject (illuminated by the flash heads) and the lamps on location (mercury vapour lamps).

Example of illumination using a 100x100cm translucent panel with two Cactus RF-60 wireless flash heads. Nikon D3 + Cactus V6 TX, Nikkor 70-200mm VRII f2.8G, 1/80sec @ f 2.8, ISO 1250, Fluorescent WB. Model: Emanuela. Detailed image of the flash heads mounted on the accessory bar and equipped with “FULL GREEN” colour correction filters, which are essential to ensure chromatic balance between the subject (illuminated by the flash heads) and the lamps on location (mercury vapour lamps).

Ariel Ford by Joe McNally

Ariel Ford by Joe McNally

Katie In Leeds

Katie In Leeds