More ideas from
Touching Images. Proszę dotykać | Mikurda | Widok. Teorie i praktyki kultury wizualnej

Among Marxist writers on film and film theory, Sergei Eisenstein stands alone. There have been other Marxist filmmakers of equal talent (Dziga Vertov, Gillo Pontecorvo, Costa-Gavras, Roberto.

kingofcomedy

Legendary filmmaker Scorsese boasts a whole host of classic films throughout his filmography. But what about some of his lesser known gems?

René Descartes | Portraits of European Neuroscientists

René Descartes | Portraits of European Neuroscientists

https://upload.wikimedia.org/wikipedia/commons/3/35/Descartes_mind_and_body.gif

René Descartes' illustration of mind/body dualism. Descartes believed inputs are passed on by the sensory organs to the epiphysis in the brain and from there to the immaterial spirit, see his "Meditations on First Philosophy"

http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Pressefotos/Publikationen/Buecher/02_Tscherkassky/OEFM_lArivee.jpg

http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Pressefotos/Publikationen/Buecher/02_Tscherkassky/OEFM_lArivee.jpg

4-44-outer-space-4.jpg (Obraz JPEG, 2096 × 1050 pikseli)

4-44-outer-space-4.jpg (Obraz JPEG, 2096 × 1050 pikseli)

http://www.chaosreigns.fr/wordpress/wp-content/uploads/2015/09/Tscherkassky-Dream-Work.jpg

Peter Tscherkassky - Dream Work "Plagiarism is necessary. Progress demands it.

http://www.chaosreigns.fr/wordpress/wp-content/uploads/2015/09/Peter-Tscherkassky-Outer-Space-1.jpg

http://www.chaosreigns.fr/wordpress/wp-content/uploads/2015/09/Peter-Tscherkassky-Outer-Space-1.jpg

Tscherkassky-Instructions-For-a-Light-and-Sound-Machine-12.jpg (Obraz JPEG, 3432 × 3402 pikseli)

Tscherkassky-Instructions-For-a-Light-and-Sound-Machine-12.jpg (Obraz JPEG, 3432 × 3402 pikseli)

peter-tscherkassky_coming_attractions.jpg (Obraz JPEG, 1600 × 1184 pikseli)

peter-tscherkassky_coming_attractions.jpg (Obraz JPEG, 1600 × 1184 pikseli)

http://s3.amazonaws.com/auteurs_production/images/film/larrivee/w1280/larrivee.jpg

“Tscherkassky sculpts with time and space, rhythms and arrhythmia in a way that feels like an entirely new film space, a new language altogether,” wrote…