More ideas from Igor
germaine-krull-metal-calavas-concerned "the essentially masculine subject of the industrial landscape."[5] Krull shot the portfolio's 64 black-and-white photographs in Paris, Marseille, and Holland. The portfolio's subjects range from bridges, buildings and ships to bicycle wheels; it can be read as either a celebration of machines or a criticism of them.

germaine-krull-metal-calavas-concerned "the essentially masculine subject of the industrial Krull shot the portfolio's 64 black-and-white photographs in Paris, Marseille, and Holland.

Vue prise du pont transbordeur, Marseille, 1926 Krull Germaine

Vue prise du pont transbordeur, Marseille, 1926 Krull Germaine

krull. depuis les hauteurs des pylones du Pont Transbordeur, 1930.

krull. depuis les hauteurs des pylones du Pont Transbordeur, 1930.