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germaine-krull-metal-calavas-concerned "the essentially masculine subject of the industrial landscape."[5] Krull shot the portfolio's 64 black-and-white photographs in Paris, Marseille, and Holland. The portfolio's subjects range from bridges, buildings and ships to bicycle wheels; it can be read as either a celebration of machines or a criticism of them.

germaine-krull-metal-calavas-concerned "the essentially masculine subject of the industrial landscape."[5] Krull shot the portfolio's 64 black-and-white photographs in Paris, Marseille, and Holland. The portfolio's subjects range from bridges, buildings and ships to bicycle wheels; it can be read as either a celebration of machines or a criticism of them.

krull 1929 cheminées Paris

krull 1929 cheminées Paris

Vue prise du pont transbordeur, Marseille, 1926 Krull Germaine

Vue prise du pont transbordeur, Marseille, 1926 Krull Germaine

krull. depuis les hauteurs des pylones du Pont Transbordeur, 1930.

krull. depuis les hauteurs des pylones du Pont Transbordeur, 1930.

Oeil de la photographie » Jeu de Paume: Germaine Krull, A Photographer’s Destiny

Oeil de la photographie » Jeu de Paume: Germaine Krull, A Photographer’s Destiny

Brassaï, Lesbian couple at The Monocle, c.1932

Brassaï, Lesbian couple at The Monocle, c.1932

Le Mome Bijou by Brassai…reminds me of Titanic Jack's Madame Bijoux (I think this is were JC got the inspiration ;) )

Le Mome Bijou by Brassai…reminds me of Titanic Jack's Madame Bijoux (I think this is were JC got the inspiration ;) )

Brassaï, seudónimo de Gyula Halász (1899 - 1984), fue un fotógrafo húngaro conocido por sus trabajos sobre París, ciudad donde desarrolló su carrera.

Brassaï, seudónimo de Gyula Halász (1899 - 1984), fue un fotógrafo húngaro conocido por sus trabajos sobre París, ciudad donde desarrolló su carrera.