Sight unseen

For years, creative director Veronica Ortuño was the face behind Las Cruxes — a beloved vintage shop, gallery, and event space in Austin, Texas, that was constantly touted as one of the cool places to go in a city that had no shortage of cool places to go. The shop closed early last year, but Ortuño was already deep into a project that would become her next baby — as Casa Veronica, she would offer creative services, interior design, and, as of this month, a collection of one-of-a-kind…

8. Sarah Illenberger

In London, two longtime collaborators have joined forces to open a shared, two-story, 5,500-square-foot gallery space and prop house called 50 Vyner.

“#Inspiration Day’s End, metal and colour passivated zinc by @Frank_Ammerlaan 💫”

Wallpaper’s Rosa Bertoli looks back: discover the top 10 design stories of 2021

Ecstatic Vernacular, an exhibition featuring photographer Erin O'Keefe and painter Matt Kleberg, is a conversation between the artists and their mediums.

Gilles de Brock and Jaap Giesen's Palet tiles offers customizable tiles in bold colors that feature a signature psychedelic ombré look.

This shop nails creative retail display.

Before we began Sight Unseen five years ago, Monica and I worked for the beautiful but now-defunct design magazine I.D. And though we were helping to run one of the most venerable design publications in the country, in hindsight, we were mere babies in terms of our design education. Which is perhaps why, when we received an entry to our annual competition for a molded plastic beach chair by a designer named Larry Laske back in 2008, the name failed to ring a bell. But maybe it wasn’t purely…

Works pictured on the wall of the bedroom from left to right: Kishio Suga, Scene of Elapsing Connections (2009); Wooden Spaces in Alignment (2001); Continuous Earth Under Rain (2009); Point of Centrality (2000); Potential Detachment (2007); Cluster of Rising Sceneries (1997); Internal Boundary in...

For Marta, Minjae Kim plays with his own preconceptions about Western culture, having lived in the US most of his adult life after growing up in Korea.

Collective Quarterly is a niche journal that deep-dives into a different locale with each issue. In Vermont, the journal pointed its camera lenses at a region known as the Mad River Valley, spotlighting the craftspeople and personalities based in the area, from puppeteers to knife-makers to the brilliantly quirky architects whose profile we're excerpting today.

Sarah Ellison's new tiles collection for Teranova was inspired by the Australian interior stylist's travels to the Mediterranean.