Polish design

Symbols from Polish pisanki (decorated Easter eggs) - Traditional design of the Lublin region – popular motifs

Who said Polish poster is dead?

Poland has a remarkable and rich history when it comes to graphic design. The Polish School of Poster, well-known and respected around the globe, is but a piece of its graphic design legacy. Meet 18 incredible Polish graphic designers whose work continues to astound!

Jan Lenica. Wozzeck (Poster for Warsaw production of the 1914-22 opera by Alban Berg). 1964. Offset lithograph. 38 x 26 1/2" (96.5 x 67.3 cm). Teatr Wielki, Warsaw. Stołeczne Zaklady Drukarskie, Warsaw. Gift of the designer. 485.1987. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris. Architecture and Design

On the week François Truffaut would have turned 80, we look back at the posters for his first film.

Without hesitation I assert that Polish graphic design is by far the most original, meaningful and expressive of any Western country. And to think, much of that originality occurred during Communist censorship. Well, if you don’t believe me, a new book published in Warsaw in English by the Adam Mickiwicz Institute, VeryGraphic: Polish Designers of the 20th Century, is 448 pages on 64 of the most significant Polish formgivers of posters, books, products, logos and more. Below

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