Neon cinematography

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Find out here everything you need to know about anamorphic vs spherical lenses and the optical differences between the two. The stunning anamorphic lens flares of The Neon Demon (2016) Directed by Nicolas Winding and cinematographer Natasha Braier. Shot with Cooke Xtal Express and Panavision C Series anamorphic prime lenses. The Neon Demon Aesthetic | anamorphic flare | lens flare | lens flare effect | spherical lenses | cinema aesthetic | cinematography lighting | film stills | movie

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