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James rosenquist

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James Rosenquist, Ceci N’est Pas un Pistolet, 1996

James Rosenquist, Ceci N’est Pas un Pistolet, 1996

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Working as a sign painter by day and an abstract artist by night, Mr. Rosenquist imported elements of outdoor advertising into the realm of fine art.

Working as a sign painter by day and an abstract artist by night, Mr. Rosenquist imported elements of outdoor advertising into the realm of fine art.

MoMA: Paintings and Sculpture (Bot) on Twitter

“James Rosenquist, Marilyn Monroe, I, 1962 https://t.co/XyiBIzTVxV #museumarchive #jamesrosenquist”

James Rosenquist. The Friction Disappears. 1965 | The Fricti… | Flickr

The Friction Disappears represents the effortless flow of pictures and information in our culture, where unrelated or contradictory ideas overlap one another. Rosenquist painted the car in the same hot hue as the canned spaghetti simply because he liked the color. The tiny electrons orbiting the globe on the car door are like the paths of ideas and images crisscrossing in the modern world. Rosenquist compares the uncanny combinations that result to "two soap bubbles colliding and coming…