Paul poiret

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Paul Poiret , Afternoon Dress and Hat, 1923   (Dress) Silk crepe de chine and velvet with silk and metallic thread embroidery; (hat) silk with leather appliqué and metallic thread embroidery

Paul Poiret , Afternoon Dress and Hat, 1923 (Dress) Silk crepe de chine and velvet with silk and metallic thread embroidery; (hat) silk with leather appliqué and metallic thread embroidery

Paul Poiret's Minaret tunic originated from dress inspired by harem pants underneath a flared tunic.  | The Metropolitan Museum of Art

Paul Poiret's Minaret tunic originated from dress inspired by harem pants underneath a flared tunic. | The Metropolitan Museum of Art

Fancy dress costume, 1911 Paul Poiret (French, 1879–1944) Seafoam green silk gauze, silver lamé, blue foil and blue and silver coiled cellophane cord appliqué, and blue, silver, coral, pink, and turquoise cellulose beading; L. (a) 50 1/4 in. (127.6 cm)

Fancy dress costume, 1911 Paul Poiret (French, 1879–1944) Seafoam green silk gauze, silver lamé, blue foil and blue and silver coiled cellophane cord appliqué, and blue, silver, coral, pink, and turquoise cellulose beading; L. (a) 50 1/4 in. (127.6 cm)

Paul Poiret, Silk faille dinner dress, 1922-23  **I like the lines but would prefer a different Color/Pattern

Paul Poiret, Silk faille dinner dress, 1922-23 **I like the lines but would prefer a different Color/Pattern

Paul Poiret, Kimono Inspired Robe, ca. 1913

Paul Poiret, Kimono Inspired Robe, ca. 1913

Dress called "Strozzi" by Paul Poiret. Photo appeared in the April, 1911 edition of "Art and Decoration." Photo by Edward Steichen.

Dress called "Strozzi" by Paul Poiret. Photo appeared in the April, 1911 edition of "Art and Decoration." Photo by Edward Steichen.

Paul Poiret is a French designer who "freed the bosom, shackled the legs, but gave liberty to the body" with his corset-less designs with narrow hems.

Paul Poiret is a French designer who "freed the bosom, shackled the legs, but gave liberty to the body" with his corset-less designs with narrow hems.

Poiret. 1922 . Argumentó su batalla contra el corsé porque consideraba que le parecían ridículas las mujeres de busto curvo y trasero prominente, por lo que diseñó un traje sencillo, entallado bajo los pechos y que caía recto hasta los pies.

Poiret. 1922 . Argumentó su batalla contra el corsé porque consideraba que le parecían ridículas las mujeres de busto curvo y trasero prominente, por lo que diseñó un traje sencillo, entallado bajo los pechos y que caía recto hasta los pies.

Mantle  Paul Poiret, 1913  The Victoria & Albert Museum

Mantle Paul Poiret, 1913 The Victoria & Albert Museum

1924 "Le Bal" shoes designed by Paul Poiret and manufactured by André Perugia, Stamp: "Perugia / BREVETE S.G.D.G. / PI-AVENUE NOTRE DAME-NICE" via MMA.

1924 "Le Bal" shoes designed by Paul Poiret and manufactured by André Perugia, Stamp: "Perugia / BREVETE S.G.D.G. / PI-AVENUE NOTRE DAME-NICE" via MMA.

Paul Poiret mantle, 1913. 'Based on a deconstructed kimono, it is composed of two rectangles folded on the shoulders and joined on one side with a stylised bow. It illustrates how Poiret was able to combine with rare harmony the bold colours of Fauvism, the vision of Cubism and the exoticism of Eastern garments.' PAUL POIRET

Mantle

Paul Poiret mantle, 1913. 'Based on a deconstructed kimono, it is composed of two rectangles folded on the shoulders and joined on one side with a stylised bow. It illustrates how Poiret was able to combine with rare harmony the bold colours of Fauvism, the vision of Cubism and the exoticism of Eastern garments.' PAUL POIRET

Evening gown (hobble skirt), made for Ellen von Hallwyl at Au Royal Quartier in Paris, probably in 1915, in the style of Paul Poiret. Blue velvet bodice with black tulle sleeves, embroidered in pink, blue, and white glass beads. Cream-colored silk skirt ending in train, with tassels of white glass beads. Black tulle layer over skirt, similarly embroidered. Hallwyl Museum, Sweden

Evening gown (hobble skirt), made for Ellen von Hallwyl at Au Royal Quartier in Paris, probably in 1915, in the style of Paul Poiret. Blue velvet bodice with black tulle sleeves, embroidered in pink, blue, and white glass beads. Cream-colored silk skirt ending in train, with tassels of white glass beads. Black tulle layer over skirt, similarly embroidered. Hallwyl Museum, Sweden

Paul Poiret, circa 1919, mantle. Click for video

Paul Poiret, circa 1919, mantle. Click for video

Evening gown called "Josephine" by Paul Poiret. Ivory satin with a tunic overlay of black tulle. The rose pinned on the bodice became a symbol of Maison Poiret.

Evening gown called "Josephine" by Paul Poiret. Ivory satin with a tunic overlay of black tulle. The rose pinned on the bodice became a symbol of Maison Poiret.

Eugénie Paul Poiret, 1907 Les Arts Décoratifs

Eugénie Paul Poiret, 1907 Les Arts Décoratifs

Paul Poiret - 1924 - Silk, metallic thread dress - The Metropolitan Museum of Art

Paul Poiret - 1924 - Silk, metallic thread dress - The Metropolitan Museum of Art

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