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Ottoman Turkey, Costumes, Medjmouaï Teçavir (1910s) Fruchtermann No. 113. Max Fruchtermann, 1852-1918. The most prominent early publisher of Ottoman postcards, at the age of seventeen he opened a frame-shop at Yüksekkaldirim Istanbul. It is hard to underestimate his role in the publishing scene that followed. He was one of the first "editeurs" (if not the very first) to create postcards depicting the Ottoman Empire.

Ottoman Turkey, Costumes, Medjmouaï Teçavir (1910s) Fruchtermann No. 113. Max Fruchtermann, 1852-1918. The most prominent early publisher of Ottoman postcards, at the age of seventeen he opened a frame-shop at Yüksekkaldirim Istanbul. It is hard to underestimate his role in the publishing scene that followed. He was one of the first "editeurs" (if not the very first) to create postcards depicting the Ottoman Empire.

COLLAR DEL TÚMULO DE BOLSHAYA BLIZNITSA

COLLAR DEL TÚMULO DE BOLSHAYA BLIZNITSA

Ottoman Turkey, Costumes, Medjmouaï Teçavir (1910s) Fruchtermann No. 110. Max Fruchtermann, 1852-1918. The most prominent early publisher of Ottoman postcards, at the age of seventeen he opened a frame-shop at Yüksekkaldirim Istanbul. It is hard to underestimate his role in the publishing scene that followed. He was one of the first "editeurs" (if not the very first) to create postcards depicting the Ottoman Empire.

Ottoman Turkey, Costumes, Medjmouaï Teçavir (1910s) Fruchtermann No. 110. Max Fruchtermann, 1852-1918. The most prominent early publisher of Ottoman postcards, at the age of seventeen he opened a frame-shop at Yüksekkaldirim Istanbul. It is hard to underestimate his role in the publishing scene that followed. He was one of the first "editeurs" (if not the very first) to create postcards depicting the Ottoman Empire.

Gold Etruscan Necklace 530 - 500 B.C. | © Foto: Antikensammlung der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz

Gold Etruscan Necklace 530 - 500 B.C. | © Foto: Antikensammlung der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz

Gold triple-finger ring | Roman, Syrian | Late Imperial or Late Antique | The Met. This ring exemplifies a flamboyant type of costume jewelry that was especially popular in the eastern half of the Roman Empire. The three finger bands support five colorful settings, containing pearls, glass imitation gems, and a central green bead (a modern replacement).

Gold triple-finger ring | Roman, Syrian | Late Imperial or Late Antique | The Met. This ring exemplifies a flamboyant type of costume jewelry that was especially popular in the eastern half of the Roman Empire. The three finger bands support five colorful settings, containing pearls, glass imitation gems, and a central green bead (a modern replacement).

Auguste and Joseph Fanniere antique Renaissance revival sapphire and enamel brooch. This brooch is from 1869. Signed jewelry of this period is extremely rare

Auguste and Joseph Fanniere antique Renaissance revival sapphire and enamel brooch. This brooch is from 1869. Signed jewelry of this period is extremely rare

Bapst & Falize-detalhe

Bapst & Falize-detalhe

Gold and ivory hair pin, Fortunato Pio Castellani, 1860-1862, Rome, Italy

Gold and ivory hair pin, Fortunato Pio Castellani, 1860-1862, Rome, Italy

Gold Hairpin (late Roman). 3rd/4th C. AD, Made in Northern France.

Gold Hairpin (late Roman). 3rd/4th C. AD, Made in Northern France.