Polish Movies

Board dedicated to Polish cinema. Trailers, stills and all that jazz
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Bracia directed by Wojciech Staroń is a moving documentary about brotherly love and growing old, photo: Wojciech Staroń

Bracia directed by Wojciech Staroń is a moving documentary about brotherly love and growing old, photo: Wojciech Staroń

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No End - Krzysztof Kieślowski’s 1984 film. At the time of its premiere the film was criticized by all sides: the communist authorities of Poland blamed the director for antisocialist diversion, the opposition considered the film to be ordered by the authorities, whereas the Catholic Church criticized the antichristian ending.

No End - Krzysztof Kieślowski’s 1984 film. At the time of its premiere the film was criticized by all sides: the communist authorities of Poland blamed the director for antisocialist diversion, the opposition considered the film to be ordered by the authorities, whereas the Catholic Church criticized the antichristian ending.

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Maciej Stuhr in Władysław Pasikowski's "Aftermath", photo: Marcin Makowski / Apple Film Production / Monolith Film  A Polish village with a dark secret sets the scene for a thriller based on true events, a film about dark days in Polish history. Aftermath presents the story of two brothers who, despite long-standing quarrels, try to get to the root of the village's conflict.

Maciej Stuhr in Władysław Pasikowski's "Aftermath", photo: Marcin Makowski / Apple Film Production / Monolith Film A Polish village with a dark secret sets the scene for a thriller based on true events, a film about dark days in Polish history. Aftermath presents the story of two brothers who, despite long-standing quarrels, try to get to the root of the village's conflict.

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Marcel Łoziński’s quasi-documentary Anything Can Happen is a ‘poetic essay filled with the sadness of passing and the strength of life’ which also ‘captures a man growing inside a child on film’.

Marcel Łoziński’s quasi-documentary Anything Can Happen is a ‘poetic essay filled with the sadness of passing and the strength of life’ which also ‘captures a man growing inside a child on film’.

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The Innocents, a superbly acted film directed by Anne Fontaine, is mainly a story about a confrontation between belief and unbelief, but also about Polish history seen from a woman's perspective.

The Innocents, a superbly acted film directed by Anne Fontaine, is mainly a story about a confrontation between belief and unbelief, but also about Polish history seen from a woman's perspective.

By adapting Witold Gombrowicz’s Cosmos Andrzej Żuławski proved his position as the most courageous and uncompromising Polish film director. This humorous and perverse film serves as a great conclusion to the director’s film career.

By adapting Witold Gombrowicz’s Cosmos Andrzej Żuławski proved his position as the most courageous and uncompromising Polish film director. This humorous and perverse film serves as a great conclusion to the director’s film career.

Kinga Dębska created a moving and unpretentious film out of a story about a family, illness, and death. These Daughters of Mine, which received awards from the journalists and the audience of the Gdynia Film Festival, is a shamelessly tender and wonderfully acted piece of cinema.

Kinga Dębska created a moving and unpretentious film out of a story about a family, illness, and death. These Daughters of Mine, which received awards from the journalists and the audience of the Gdynia Film Festival, is a shamelessly tender and wonderfully acted piece of cinema.

Anatomy of Evil is a thriller centered around the mysterious assassination of a chief of police, and a penetrating look at a reality where good counts for nothing and evil is the reference point.

Anatomy of Evil is a thriller centered around the mysterious assassination of a chief of police, and a penetrating look at a reality where good counts for nothing and evil is the reference point.

The Lure is the most daring and craziest Polish debut since Eucalyptus by Marcin Krzyształowicz (2001). In the first Polish erotic western, native actors spoke broken English, the dialogues were read by Jan Suzin, a legendary TV presenter, and the director indulged himself in cinematic conventions with unprecedented insolence. Agnieszka Smoczyńska does something similar.

The Lure is the most daring and craziest Polish debut since Eucalyptus by Marcin Krzyształowicz (2001). In the first Polish erotic western, native actors spoke broken English, the dialogues were read by Jan Suzin, a legendary TV presenter, and the director indulged himself in cinematic conventions with unprecedented insolence. Agnieszka Smoczyńska does something similar.

Andrzej Munk's film from 1956, realised before October 1956, however already matching the atmosphere of the upcoming thaw. The story about an investigation behind a railway accident seemingly follows the pattern of a socialist realist cinema, while in reality it inverts it. http://culture.pl/en/work/man-on-the-tracks-andrzej-munk?utm_content=buffer89524&utm_medium=social&utm_source=pinterest.com&utm_campaign=buffer

Andrzej Munk's film from 1956, realised before October 1956, however already matching the atmosphere of the upcoming thaw. The story about an investigation behind a railway accident seemingly follows the pattern of a socialist realist cinema, while in reality it inverts it. http://culture.pl/en/work/man-on-the-tracks-andrzej-munk?utm_content=buffer89524&utm_medium=social&utm_source=pinterest.com&utm_campaign=buffer

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