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Georg Schrimpf

Georg Schrimpf

Alexander Kanoldt, Still Life II 1922. In painting, magical realism is a term often interchanged with post-expressionism, as Ríos also shows, for the very title of Roh's 1925 essay was "Magical Realism:Post-Expressionism".

Alexander Kanoldt, Still Life II 1922. In painting, magical realism is a term often interchanged with post-expressionism, as Ríos also shows, for the very title of Roh's 1925 essay was "Magical Realism:Post-Expressionism".

Alexander Kanoldt - )

Alexander Kanoldt - )

:: KANOLDT STILLLEBEN 1922 ::

:: KANOLDT STILLLEBEN 1922 ::

File:Alexander Kanoldt - Olevano - 1924.jpeg

File:Alexander Kanoldt - Olevano - 1924.jpeg

Otto Dix, El Salón I, 1921.(Fragmento). Stuttgart. ............................ CALAMANDA Y LE DÉSESPÉRÉ DE GUSTAVE COURBET: JUAN MANUEL BLANES. URUGUAY. MUSEO MUNICIPAL DE BELLAS ARTES "JUAN MANUEL BLANES", MONTEVIDEO.

Otto Dix, El Salón I, 1921.(Fragmento). Stuttgart. ............................ CALAMANDA Y LE DÉSESPÉRÉ DE GUSTAVE COURBET: JUAN MANUEL BLANES. URUGUAY. MUSEO MUNICIPAL DE BELLAS ARTES "JUAN MANUEL BLANES", MONTEVIDEO.

Portrait of the Journalist Sylvia von Harden, 1926, by Otto Dix. Dix was a German Expressionist whose work reflects the political unrest of his time and a perversion that is only trumped by Egon Schiele.

Portrait of the Journalist Sylvia von Harden, 1926, by Otto Dix. Dix was a German Expressionist whose work reflects the political unrest of his time and a perversion that is only trumped by Egon Schiele.

The Trapeze, 1923  by Max Beckmann (German,1884-1950) http://onework.ru/wp-content/uploads/art/Beckmann,%20Max/Max%20Beckmann%20162.jpg

The Trapeze, 1923 by Max Beckmann (German,1884-1950) http://onework.ru/wp-content/uploads/art/Beckmann,%20Max/Max%20Beckmann%20162.jpg

Masquerade, 1948 by Max Beckmann (1884-1950, Germany) Saint Louis Art Museum

Masquerade, 1948 by Max Beckmann (1884-1950, Germany) Saint Louis Art Museum

Max Beckmann cat and flowers

Max Beckmann cat and flowers