H-Matic!

24 Piny21 Obserwujący
Combo #93 (Elena Bouvier) - hipstography, hipstamatic combos

Combo #93 (Elena Bouvier) - hipstography, hipstamatic combos

Combo #3 (Fiona Christian) - hipstography - hipstamatic

Combo #3 (Fiona Christian) - hipstography - hipstamatic

Combo #115 (Lee Atwell) - hipstography, hipstamatic combos

Combo #115 (Lee Atwell) - hipstography, hipstamatic combos

Combo #28 (Eliano Imperato) - hipstography, hipstamatic

Combo #28 (Eliano Imperato) - hipstography, hipstamatic

Combo #152 (Eric Rozen) - hipstography, Hipstamatic Hong Kong

Combo #152 (Eric Rozen) - hipstography, Hipstamatic Hong Kong

Combo #161 (Muriel Allegretty) - hipstography, Hipstamatic Oggl

Combo #161 (Muriel Allegretty) - hipstography, Hipstamatic Oggl

Combo #116 (Richard Pelletier) - hipstography, Hipstamatic

Combo #116 (Richard Pelletier) - hipstography, Hipstamatic

Combo #25 (Lil-ja Palavra) - hipstography, hipstamatic

Combo #25 (Lil-ja Palavra) - hipstography, hipstamatic

Combo #165 (Kent Kangley) - hipstography, Alfred Infrared + Medodie

Combo #165 (Kent Kangley) - hipstography, Alfred Infrared + Medodie

Combo #74 (Katrin Sonntag) - hipstography, hipstamatic

Combo #74 (Katrin Sonntag) - hipstography, hipstamatic


Więcej pomysłów
"This combo is great for adding a vintage atmosphere. It tends to be high contrast, often with overexposed white areas and a pronounced grain. Green, red and orange subjects are best... other colours will be subdued or even altered completely. Most films work well with Libatique but I like Ina's 1982 as it has a greenish, aged appearance, in keeping with the vintage look."   Fiona Christian

"This combo is great for adding a vintage atmosphere. It tends to be high contrast, often with overexposed white areas and a pronounced grain. Green, red and orange subjects are best... other colours will be subdued or even altered completely. Most films work well with Libatique but I like Ina's 1982 as it has a greenish, aged appearance, in keeping with the vintage look." Fiona Christian

I decided to include 3 indoor shots and 3 outdoor shots to demonstrate how this combo works in these two extremely different situations. Firstly, I like this combo because I shoot 99% in black and white. I prefer this film because the frame is thin, not too intrusive, the image looks clear and it has a slightly grainy finish. Using the James M lens is a bit like putting an orange filter on the lens and I really love the results.

I decided to include 3 indoor shots and 3 outdoor shots to demonstrate how this combo works in these two extremely different situations. Firstly, I like this combo because I shoot 99% in black and white. I prefer this film because the frame is thin, not too intrusive, the image looks clear and it has a slightly grainy finish. Using the James M lens is a bit like putting an orange filter on the lens and I really love the results.

Combo #25 (Lil-ja Palavra) - hipstography, hipstamatic

Combo #25 (Lil-ja Palavra) - hipstography, hipstamatic

Combo #14 (Kathleen Magner-Rios) - hipstography, hipstamatic

Combo #14 (Kathleen Magner-Rios) - hipstography, hipstamatic

Combo #7 (Laetitia Harnie Coussau) - hipstography, hipstamatic

Combo #7 (Laetitia Harnie Coussau) - hipstography, hipstamatic

Combo #5 (Mickael Le Canu) - hipstography - hipstamatic

Combo #5 (Mickael Le Canu) - hipstography - hipstamatic

Combo #48 (Simone Muresu) - hipstography , hipstamatic

Combo #48 (Simone Muresu) - hipstography , hipstamatic

Combo #57 (Carole Francois) - hipstography (hipstamatic)

Combo #57 (Carole Francois) - hipstography (hipstamatic)

Combo #19 (Phil Greenhalgh/phipsta) - hipstography, hipstamatic

Combo #19 (Phil Greenhalgh/phipsta) - hipstography, hipstamatic

Combo #55 (Marina Akwa) - hipstography hipstamatic

Combo #55 (Marina Akwa) - hipstography hipstamatic

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