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ARTINPL
Kazanowski Palace in Warsaw
Lublin Renaissance
Ossoliński Palace in Warsaw
Polish gold and silver smithery
Archaic Poland
Ars Homo Erotica
Augustus II and Augustus III
Anna and Stephen Báthory
Bronze busts of Sigismund III Vasa and Constance of Austria
Crown jewels of Poland
Dukes of Pomerania
Dukes of Silesia
Enlightened magnates
January Uprising
Jewels of the Polish Vasas
John III Sobieski
Last Polish Jagiellons
Lost art
Lubomirski family
Medieval Poland
Medieval Pomerania
Medieval Silesia
Michael Korybut Wiśniowiecki
Polish carpets
Polish-Lithuanian Commonwealth

Kazanowski Palace in Warsaw

Portrait of Court Chamberlain Adam Kazanowski aged 44 by Peter Danckerts de Rij, ca. 1643, Wawel Royal Castle. The Court Chamberlain was portraited in crimson żupan, and holding the insignium of his power the gold Chamberlain Key. #painting #artinpl #17thcentury #1640sfashion #polishcostume #zupan Commonwealth, 17th Century, Golden Age, Castle, History, Portrait, Painting, Polish, Key

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Portrait of Court Chamberlain Adam Kazanowski aged 44 by Peter Danckerts de Rij, ca. 1643, Wawel Royal Castle. The Court Chamberlain was portraited in crimson żupan, and holding the insignium of his power the gold Chamberlain Key. #painting #artinpl #17thcentury #1640sfashion #polishcostume #zupan

Silver-gilt table-ornament in the shape of Bacchus siting on a wine barrel by Meinrad Bauch the Elder in Nuremberg, 1590-1602, British Museum. Acquired by Baron Anselm Rothschild before 1838. Similar, larger, silver wine vessel of 150 litres on wheels was described in the Kazanowski Palace in Warsaw, in Adam Jarzębski's "Short Description of Warsaw" from 1643. Photo: © Trustees of the British Museum. #mannerism #artinpl #winevessel Bacchus, Baron, British Museum, Drinking Games, Sculpture, Statue, Wine, Commonwealth, Warsaw

Bacchus, god of wine

Silver-gilt table-ornament in the shape of Bacchus siting on a wine barrel by Meinrad Bauch the Elder in Nuremberg, 1590-1602, British Museum. Acquired by Baron Anselm Rothschild before 1838. Similar, larger, silver wine vessel of 150 litres on wheels was described in the Kazanowski Palace in Warsaw, in Adam Jarzębski's "Short Description of Warsaw" from 1643. Photo: © Trustees of the British Museum. #mannerism #artinpl #winevessel

(1) View of Warsaw from the Vistula River (detail) by Nicolas Pérelle after Erik Dahlbergh, 1696, National Museum in Warsaw. Panorama of Warsaw as seen from the Praga bank in about 1656. Fragment with Kazanowski Palace (Radziejowski Palace), (2-4) Remnants of the Kazanowski Palace in Warsaw. #17thcentury #mannerism #artinpl #architecture Commonwealth, Warsaw, National Museum, 17th Century, Big Ben, Palace, Polish, River, Detail

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(1) View of Warsaw from the Vistula River (detail) by Nicolas Pérelle after Erik Dahlbergh, 1696, National Museum in Warsaw. Panorama of Warsaw as seen from the Praga bank in about 1656. Fragment with Kazanowski Palace (Radziejowski Palace), (2-4) Remnants of the Kazanowski Palace in Warsaw. #17thcentury #mannerism #artinpl #architecture

Tomb monument of Zygmunt Kazanowski, Court Marshal by Anonymous (Poland), ca. 1634, St. John's Archcathedral in Warsaw. The Court Chamberlain was portraited holding the insignium of his power the Chamberlain Key. Transferred from the demolished Bernardine Church in Warsaw to the Cathedral in 1843, destroyed during a bombing in 1944. #1630sfashion #artinpl #17thcentury #polishcostume #sculpture # marble St John's, Commonwealth, Warsaw, 17th Century, Anonymous, Poland, Cathedral, Marble, Key

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Tomb monument of Zygmunt Kazanowski, Court Marshal by Anonymous (Poland), ca. 1634, St. John's Archcathedral in Warsaw. The Court Chamberlain was portraited holding the insignium of his power the Chamberlain Key. Transferred from the demolished Bernardine Church in Warsaw to the Cathedral in 1843, destroyed during a bombing in 1944. #1630sfashion #artinpl #17thcentury #polishcostume #sculpture # marble

Details of images of the Royal Wieliczka salt mine with visitation of żupnik (?), his coat of arms and dedications by Willem Hondius after Martin German, 1645, National Library in Warsaw. The measurment was started in 1620 by order of Adam Górski, żupnik of Wieliczka (salt mine manager), the publication was sponsored by Adam Kazanowski, Court Marshall of the Crown and żupnik (manager) from 1642. #17thcentury #artinpl #polishcostume Wieliczka Salt Mine, Warsaw, The Crown, Coat Of Arms, 17th Century, German, Painting, Image, Art

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Details of images of the Royal Wieliczka salt mine with visitation of żupnik (?), his coat of arms and dedications by Willem Hondius after Martin German, 1645, National Library in Warsaw. The measurment was started in 1620 by order of Adam Górski, żupnik of Wieliczka (salt mine manager), the publication was sponsored by Adam Kazanowski, Court Marshall of the Crown and żupnik (manager) from 1642. #17thcentury #artinpl #polishcostume

Remnants of the Kazanowski Palace in Warsaw. © Marcin Latka #17thcentury #mannerism #artinpl #architecture #baroque #remparts #brick Warsaw, 17th Century, Baroque, Poland, Brick, Architecture, Arquitetura, Bricks, Architecture Design

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Remnants of the Kazanowski Palace in Warsaw. © Marcin Latka #17thcentury #mannerism #artinpl #architecture #baroque #remparts #brick

Coat of arms of Adam Kazanowski: (1) in Paweł Szczerbicz's "Speculum Saxonum abo Prawo Saskie y Magdeburskie" by Willem Hondius, published by Piotr Elert in Warsaw, 1646, Private collection, (2) with a Sheaf of the House of Vasa in Jan Kwiatkiewicz's "Umbrae minores Sigismundi Casimiri" by Franciszek Cezary in Kraków, 1649, Jagiellonian Library, (3) in Adam Jarzębski's "Short Description of Warsaw", 1643, Kórnik Library. #adamkazanowski #17thcentury #1640s #artinpl #print Krakow, Coat Of Arms, 17th Century, Rooster, Warsaw, Animals, House, Collection, Art

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Coat of arms of Adam Kazanowski: (1) in Paweł Szczerbicz's "Speculum Saxonum abo Prawo Saskie y Magdeburskie" by Willem Hondius, published by Piotr Elert in Warsaw, 1646, Private collection, (2) with a Sheaf of the House of Vasa in Jan Kwiatkiewicz's "Umbrae minores Sigismundi Casimiri" by Franciszek Cezary in Kraków, 1649, Jagiellonian Library, (3) in Adam Jarzębski's "Short Description of Warsaw", 1643, Kórnik Library. #adamkazanowski #17thcentury #1640s #artinpl #print

Contributions in book of friendship (album amicorum/Stammbuch) of Adam Kazanowski between 1633 and 1644, collection of Edward Rastawiecki in Warsaw, published in 1853, most probably lost during World War II. © Marcin Latka #spanish #latin #italian #artinpl #17thcentury Warsaw, 17th Century, World War Ii, Spanish, Friendship, Lost, Album, Collection, Dating Book

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Contributions in book of friendship (album amicorum/Stammbuch) of Adam Kazanowski between 1633 and 1644, collection of Edward Rastawiecki in Warsaw, published in 1853, most probably lost during World War II. © Marcin Latka #spanish #latin #italian #artinpl #17thcentury

Wealthiest Polish-Lithuanian magnates, cardinals and bishops of the Roman Catholic Church in Poland in the first half of the 17th century during mannerist and early baroque period

Mannerist magnates

Wealthiest Polish-Lithuanian magnates, cardinals and bishops of the Roman Catholic Church in Poland in the first half of the 17th century during mannerist and early baroque period

Leafs from Adam Jarzębski's "Short Description of Warsaw" from 1643, Kórnik Library. Title page and pages with coat of arms and dedication to Crown Court Marshal Adam Kazanowski. #kazanowskipalace #adamkazanowski #17thcentury #1640s #artinpl #polishlanguage Polish Language, Title Page, Commonwealth, Warsaw, Coat Of Arms, 17th Century, Crown, Corona, Family Crest

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Leafs from Adam Jarzębski's "Short Description of Warsaw" from 1643, Kórnik Library. Title page and pages with coat of arms and dedication to Crown Court Marshal Adam Kazanowski. #kazanowskipalace #adamkazanowski #17thcentury #1640s #artinpl #polishlanguage

Remnants of the Kazanowski Palace and barefoot Carmelite nuns monastery in Warsaw. © Marcin Latka #17thcentury #mannerism #artinpl #architecture #baroque #sandstone Warsaw, 17th Century, Barefoot, Baroque, Palace, Architecture, Arquitetura, Palaces, Architecture Design

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Remnants of the Kazanowski Palace and barefoot Carmelite nuns monastery in Warsaw. © Marcin Latka #17thcentury #mannerism #artinpl #architecture #baroque #sandstone

Portrait of Adam Kazanowski against Praga and Skaryszew by Willem Hondius, 1646, Museum of Warsaw. The engraving depicts the Court Marshall standing on the terrace of his residence in Warsaw - the Kazanowski Palace. #17thcentury #mannerism #artinpl #architecture #polishcostume #marshalstaff #zupan #sabre #garden #vistula Warsaw, 17th Century, Terrace, Palace, Museum, Costumes, Portrait, Architecture, Garden

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Portrait of Adam Kazanowski against Praga and Skaryszew by Willem Hondius, 1646, Museum of Warsaw. The engraving depicts the Court Marshall standing on the terrace of his residence in Warsaw - the Kazanowski Palace. #17thcentury #mannerism #artinpl #architecture #polishcostume #marshalstaff #zupan #sabre #garden #vistula

Lublin Renaissance

Zamość Cathedral, founded by Jan Zamoyski, was constructed between 1587-1637 in the style of so-called Lublin Renaissance to design by Bernardo Morando. © Marcin Latka #zamosccathedral #1587 #1637 #lublinrenaissance #bernardomorando #mannerism #manneristarchitecture Barcelona Cathedral, Renaissance, Construction, Building, Travel, Design, Style, Swag, Viajes

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Zamość Cathedral, founded by Jan Zamoyski, was constructed between 1587-1637 in the style of so-called Lublin Renaissance to design by Bernardo Morando. © Marcin Latka #zamosccathedral #1587 #1637 #lublinrenaissance #bernardomorando #mannerism #manneristarchitecture

Firlej Chapel at the Dominican Church in Lublin, founded by Henryk Firlej (1574-1626), bishop of Lutsk and constructed between 1615 and 1622 to design by Jan Wolff. #mannerism #architecture #artinpl #17thcentury 17th Century, Gazebo, Construction, Outdoor Structures, Mansions, Architecture, House Styles, Design, Home Decor

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Firlej Chapel at the Dominican Church in Lublin, founded by Henryk Firlej (1574-1626), bishop of Lutsk and constructed between 1615 and 1622 to design by Jan Wolff. #mannerism #architecture #artinpl #17thcentury

Vault of the Church of the Discalced Carmelites in Lublin. The church, built between 1635 and 1644, has the Lublin Renaissance architectural style. #17thcentury #artinpl #manneristarchiteture #vault #lublinrenaissance #stucco Vaulting, 17th Century, Renaissance, Kids Rugs, Architecture, Building, Decor, Style, Arquitetura

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Vault of the Church of the Discalced Carmelites in Lublin. The church, built between 1635 and 1644, has the Lublin Renaissance architectural style. #17thcentury #artinpl #manneristarchiteture #vault #lublinrenaissance #stucco

Cracow Gate in Lublin, was constructed in mid-14th century and extended in 15th century. After the fires in 1515 and 1575 the octagonal upper part and mannerist helmet were added. #brick #gothic #artinpl #medieval #citywalls #renaissance 14th Century, Renaissance, Gate, Medieval, Brick, Gothic, Helmet, Construction, Mansions

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Cracow Gate in Lublin, was constructed in mid-14th century and extended in 15th century. After the fires in 1515 and 1575 the octagonal upper part and mannerist helmet were added. #brick #gothic #artinpl #medieval #citywalls #renaissance

Vault of the Bernardine Church in Lublin. The initially Gothic church built between 1470-1497, and rebuilt between 1557-1569 and 1602-1630 to design by Rudolf Negroni and Jakub Balin, has the Lublin Renaissance architectural style. #17thcentury #artinpl #manneristarchiteture #vault #lublinrenaissance #stucco Vaulting, 17th Century, Renaissance, Gothic, Tower, Architecture, Building, Design, Style

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Vault of the Bernardine Church in Lublin. The initially Gothic church built between 1470-1497, and rebuilt between 1557-1569 and 1602-1630 to design by Rudolf Negroni and Jakub Balin, has the Lublin Renaissance architectural style. #17thcentury #artinpl #manneristarchiteture #vault #lublinrenaissance #stucco

Mannerist portals of the Zamość Arcades: (1) Bern house, built in about 1590 for a Greek, Manuelli Masapeta, (2) Pauli house, built between 1604-1612 for Jerzy Pauli, (3) Piechowicz house, built before 1619 for Szymon Piechowicz from Turobin, a chemist and a professor of medicine at the Zamość Academy, (4-5) Arcades of the Zamość Great Market Square. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #mannerist #basrelief #portals #arcades #greek #italian #sculpture House Built, Chemist, Bern, 17th Century, Professor, Arcade, Renaissance, Taj Mahal, Medicine

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Mannerist portals of the Zamość Arcades: (1) Bern house, built in about 1590 for a Greek, Manuelli Masapeta, (2) Pauli house, built between 1604-1612 for Jerzy Pauli, (3) Piechowicz house, built before 1619 for Szymon Piechowicz from Turobin, a chemist and a professor of medicine at the Zamość Academy, (4-5) Arcades of the Zamość Great Market Square. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #mannerist #basrelief #portals #arcades #greek #italian #sculpture

Mannerist portals of the Zamość Arcades: (1-2) Arcades of the Zamość Great Market Square, (3) Turobin house, built in the 1600s according to Bernardo Morando's design by the town of Turobin which used to be part of Zamość Entail, (4) House "Under the married couple", built in the late 16th century for Armenian merchant Aleksander from Lutsk. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #mannerist #basrelief #portals #arcades #italian #sculpture #polisheagle House Built, 16th Century, Arcade, Renaissance, Couple, Sculpture, Building, Design, Buildings

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Mannerist portals of the Zamość Arcades: (1-2) Arcades of the Zamość Great Market Square, (3) Turobin house, built in the 1600s according to Bernardo Morando's design by the town of Turobin which used to be part of Zamość Entail, (4) House "Under the married couple", built in the late 16th century for Armenian merchant Aleksander from Lutsk. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #mannerist #basrelief #portals #arcades #italian #sculpture #polisheagle

Mannerist Town Hall in Zamość, built in 1591 according to a design by Bernardo Morando, was expanded between 1636-1651 according to the design by Jan Jaroszewicz and Jan Wolff. The clock on the tower was installed in 1770. © Marcin Latka #17thcentury #artinpl #manneristarchiteture #townhall #zamosc #1591 #bernardomorando #janjaroszewicz #1770 Town Hall, 17th Century, Tower, Mansions, House Styles, Building, Clock, Design, Home Decor

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Mannerist Town Hall in Zamość, built in 1591 according to a design by Bernardo Morando, was expanded between 1636-1651 according to the design by Jan Jaroszewicz and Jan Wolff. The clock on the tower was installed in 1770. © Marcin Latka #17thcentury #artinpl #manneristarchiteture #townhall #zamosc #1591 #bernardomorando #janjaroszewicz #1770

Wilczek house, one of the so-called Armenian Houses in Zamość. It was built in 1603 for Hans Kuntz Barthel, a patrician from Gdańsk in the style of so-called Lublin Renaissance. Later acquired by Adam Burski, a professor at the Zamość Academy and in 1655 by Jan Wilczek, a councillor of Zamość and his wife Marianna, who reconstructed the house in 1665 and between 1673-1676. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #mannerist #basrelief #frieze #reliefs #attic 17th Century, Attic, Professor, Renaissance, Houses, Mansions, House Styles, Building, Loft Room

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Wilczek house, one of the so-called Armenian Houses in Zamość. It was built in 1603 for Hans Kuntz Barthel, a patrician from Gdańsk in the style of so-called Lublin Renaissance. Later acquired by Adam Burski, a professor at the Zamość Academy and in 1655 by Jan Wilczek, a councillor of Zamość and his wife Marianna, who reconstructed the house in 1665 and between 1673-1676. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #mannerist #basrelief #frieze #reliefs #attic

Interior of the Under the Angel or Bartoszewicz house, one of the so-called Armenian Houses in Zamość. It was built in the late 16th century for an Armenian merchant Bartosz and reconstructed between 1632-1634 by his son Gabriel Bartoszewicz in the style of so-called Lublin Renaissance. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #bartoszewicz #1632 #1634 #mannerism #freize #fresco 16th Century, Fresco, Gabriel, Renaissance, Angel, Houses, Interior, Style, Homes

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Interior of the Under the Angel or Bartoszewicz house, one of the so-called Armenian Houses in Zamość. It was built in the late 16th century for an Armenian merchant Bartosz and reconstructed between 1632-1634 by his son Gabriel Bartoszewicz in the style of so-called Lublin Renaissance. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #armenian #bartoszewicz #1632 #1634 #mannerism #freize #fresco

Mannerist Town Hall in Zamość, built in 1591 according to a design by Bernardo Morando, was expanded between 1636-1651 according to the design by Jan Jaroszewicz and Jan Wolff. The clock on the tower was installed in 1770 and the stairs, to design by Georg de Kawe Jakob Maucher, were constructed between 1767-1770. © Marcin Latka #17thcentury #artinpl #manneristarchiteture #townhall #zamosc #1591 #bernardomorando #1770 Town Hall, 17th Century, San Francisco Ferry, Tower, Stairs, Construction, Building, Clock, Design

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Mannerist Town Hall in Zamość, built in 1591 according to a design by Bernardo Morando, was expanded between 1636-1651 according to the design by Jan Jaroszewicz and Jan Wolff. The clock on the tower was installed in 1770 and the stairs, to design by Georg de Kawe Jakob Maucher, were constructed between 1767-1770. © Marcin Latka #17thcentury #artinpl #manneristarchiteture #townhall #zamosc #1591 #bernardomorando #1770

Zamość Synagogue was built between 1610 and 1618 in the style of so-called Lublin Renaissance. The first Jews settled in Zamość in 1588, eight years after the founding of the town by Chancellor Jan Zamoyski. They were Sephardi coming from the Ottoman Empire and Venice and consequently established the northernmost Sephardi community in Central and Eastern Europe. © Marcin Latka #17thcentury #artinpl #zamosc #synagogue #1610 #1618 #lublinrenaissance #jews #sephardi Central And Eastern Europe, Ottoman Empire, 17th Century, Venice, Renaissance, Louvre, Community, Mansions, House Styles

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Zamość Synagogue was built between 1610 and 1618 in the style of so-called Lublin Renaissance. The first Jews settled in Zamość in 1588, eight years after the founding of the town by Chancellor Jan Zamoyski. They were Sephardi coming from the Ottoman Empire and Venice and consequently established the northernmost Sephardi community in Central and Eastern Europe. © Marcin Latka #17thcentury #artinpl #zamosc #synagogue #1610 #1618 #lublinrenaissance #jews #sephardi

Mannerist portal of the Celej House in Lublin (Rynek 18, circle of Santi Gucci). © Marcin Latka #mannerist #mannerism #portal #celejhouse #lublin #artinpl #santigucci Portal, Gucci, House, Home Decor, Decoration Home, Home, Room Decor, Home Interior Design, Homes

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Mannerist portal of the Celej House in Lublin (Rynek 18, circle of Santi Gucci). © Marcin Latka #mannerist #mannerism #portal #celejhouse #lublin #artinpl #santigucci

(1) House at 14 Kolegiacka Street in Zamość in the style of so-called Lublin Renaissance, from the beginning of the 17th century, reconstructed to its original form between 1977-1981. (2) House of Dymitr Grek (Demetrius The Greek), reconstructed to its original form in the 1950s and 2006. (3) Late Rococo Collegiate Hospital, founded by Jan Jakub Zamoyski, was built between 1770-1775. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #mannerist #frieze #attic #rococo #hospital Rococo, 17th Century, Attic, Renaissance, 1950s, Greek, Louvre, The Originals, Building

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(1) House at 14 Kolegiacka Street in Zamość in the style of so-called Lublin Renaissance, from the beginning of the 17th century, reconstructed to its original form between 1977-1981. (2) House of Dymitr Grek (Demetrius The Greek), reconstructed to its original form in the 1950s and 2006. (3) Late Rococo Collegiate Hospital, founded by Jan Jakub Zamoyski, was built between 1770-1775. © Marcin Latka #17thcentury #artinpl #zamosc #lublinrenaissance #mannerist #frieze #attic #rococo #hospital

Vault with Polish Eagles, cherubs' heads and Christogram IHS in the arcades of the Owanisowicz house in Zamość, created in the first quarter of the 17th century for Armenian merchant Murat Jakubowicz. © Marcin Latka #17thcentury #artinpl #manneristarchiteture #zamosc #vault #polisheagle #cherubs #christogram #ihs #arcades #owanisowicz #armenian #merchant #muratjakubowicz #lublinrenaissance Byzantine, 17th Century, Rugs On Carpet, Renaissance, Cherubs, Eagles, Polish, House, Vitreous Enamel

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Vault with Polish Eagles, cherubs' heads and Christogram IHS in the arcades of the Owanisowicz house in Zamość, created in the first quarter of the 17th century for Armenian merchant Murat Jakubowicz. © Marcin Latka #17thcentury #artinpl #manneristarchiteture #zamosc #vault #polisheagle #cherubs #christogram #ihs #arcades #owanisowicz #armenian #merchant #muratjakubowicz #lublinrenaissance

Mannerist Konopnica House in Lublin, the original gothic house from the 15th century was rebuilt in the style of so-called Lublin Renaissance after 1596 for Sebastian Konopnica by followers of Santi Gucci's workshop in Pińczów. #mannerism #16thcentury #artinpl #stucco Gothic House, 15th Century, Poland, Renaissance, Followers, Workshop, Mansions, The Originals, House Styles

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Mannerist Konopnica House in Lublin, the original gothic house from the 15th century was rebuilt in the style of so-called Lublin Renaissance after 1596 for Sebastian Konopnica by followers of Santi Gucci's workshop in Pińczów. #mannerism #16thcentury #artinpl #stucco

Ossoliński Palace in Warsaw

(1-2) Silver cartouche with Topór coat of arms of Jerzy Ossoliński from the silver-ebony altar in the Chapel of Black Madonna of Częstochowa by Johann Christian Bierpfaff in Warsaw, 1650, Jasna Góra Monastery, (3) Silver plaque with a portrait of Jerzy Ossoliński by circle of Johannes Bass, ca. 1643, Wawel Royal Castle. © Marcin Latka #17thcentury #artinpl #polishcostume #baroque Coat Of Arms, 17th Century, Altar, Madonna, Baroque, Lion Sculpture, Castle, Christian, Statue

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(1-2) Silver cartouche with Topór coat of arms of Jerzy Ossoliński from the silver-ebony altar in the Chapel of Black Madonna of Częstochowa by Johann Christian Bierpfaff in Warsaw, 1650, Jasna Góra Monastery, (3) Silver plaque with a portrait of Jerzy Ossoliński by circle of Johannes Bass, ca. 1643, Wawel Royal Castle. © Marcin Latka #17thcentury #artinpl #polishcostume #baroque

Entry of Jerzy Ossoliński into Rome in 1633 by Bernardo Bellotto, 1779, National Museum in Wrocław. Commissined by Józef Maksymilian Ossoliński (1748-1826). © Marcin Latka #artinpl #nationalmuseuminwroclaw #polishlithuaniancommonwealth #entry #jerzyossolinski #rome #1633 #bernardobellotto #1779 Rwby, Poland, Painting, Art, Art Background, Painting Art, Kunst, Paintings, Performing Arts

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Entry of Jerzy Ossoliński into Rome in 1633 by Bernardo Bellotto, 1779, National Museum in Wrocław. Commissined by Józef Maksymilian Ossoliński (1748-1826). © Marcin Latka #artinpl #nationalmuseuminwroclaw #polishlithuaniancommonwealth #entry #jerzyossolinski #rome #1633 #bernardobellotto #1779

Horse tack of Samuel Oskierko by Anonymous from Poland, before 1633, Polish Army Museum. It belonged to a member of the Polish-Lithuanian Commonwealth's legation to Rome in 1633, lead by Jerzy Ossoliński. #fragment #horse #tack #samueloskierko #poland #polisharmymuseum #legation #rome #jerzyossolinski #artinpl #warsaw #silverthread #velvet #silk #mounted #wood #gilt #grenade #karneol Horse Tack, Rome, Museum, Velvet, Horses, Warsaw, Anonymous, Poland, Bags

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Horse tack of Samuel Oskierko by Anonymous from Poland, before 1633, Polish Army Museum. It belonged to a member of the Polish-Lithuanian Commonwealth's legation to Rome in 1633, lead by Jerzy Ossoliński. #fragment #horse #tack #samueloskierko #poland #polisharmymuseum #legation #rome #jerzyossolinski #artinpl #warsaw #silverthread #velvet #silk #mounted #wood #gilt #grenade #karneol

Portrait of Jerzy Ossoliński by Peter Danckerts de Rij, after 1643, Royal Castle in Warsaw. The chancellor is holding a signet of the Great Seal of the Crown of Poland. #17thcentury #artinpl #polishcostume Warsaw, The Crown, 17th Century, Poland, Seal, Castle, Costumes, Portrait, Art

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Portrait of Jerzy Ossoliński by Peter Danckerts de Rij, after 1643, Royal Castle in Warsaw. The chancellor is holding a signet of the Great Seal of the Crown of Poland. #17thcentury #artinpl #polishcostume

Detail of Allegory of the rule of Sigismund III Vasa from the thesis of Gabriel Kilian Ligęza of Bobrek, to be defended in Douai on 22nd August 1628 with (1) Minerva and (2-3) personification of Poland by Schelte Adamsz. à Bolswert after Pieter Claesz Soutman, 1628, British Museum. The rooftop of the Ossoliński Palace in Warsaw, built between 1639-1642, was adorned with a statue of Minerva, while the main portal had a statue of Poland holding a sickle. #17thcentury #artinpl #mannerism… Warsaw, British Museum, 17th Century, Thesis, Rooftop, Gabriel, Baroque, Poland, Portal

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Detail of Allegory of the rule of Sigismund III Vasa from the thesis of Gabriel Kilian Ligęza of Bobrek, to be defended in Douai on 22nd August 1628 with (1) Minerva and (2-3) personification of Poland by Schelte Adamsz. à Bolswert after Pieter Claesz Soutman, 1628, British Museum. The rooftop of the Ossoliński Palace in Warsaw, built between 1639-1642, was adorned with a statue of Minerva, while the main portal had a statue of Poland holding a sickle. #17thcentury #artinpl #mannerism…

Wealthiest Polish-Lithuanian magnates, cardinals and bishops of the Roman Catholic Church in Poland in the first half of the 17th century during mannerist and early baroque period

Mannerist magnates

Wealthiest Polish-Lithuanian magnates, cardinals and bishops of the Roman Catholic Church in Poland in the first half of the 17th century during mannerist and early baroque period

Ossoliński and Kazanowski-Radziejowski Palace in 1656, detail of View of Warsaw from the Vistula River by Nicolas Pérelle after Erik Dahlbergh, 1696, National Library in Warsaw. #17thcentury #artinpl #architecture #mannerism #baroque Warsaw, 17th Century, Baroque, Palace, River, Detail, Architecture, Art, Arquitetura

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Ossoliński and Kazanowski-Radziejowski Palace in 1656, detail of View of Warsaw from the Vistula River by Nicolas Pérelle after Erik Dahlbergh, 1696, National Library in Warsaw. #17thcentury #artinpl #architecture #mannerism #baroque

Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #fur #camels Commonwealth, Vintage World Maps, Camels, Warsaw, Rome, Polish, Painting, Fur, Vitreous Enamel

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Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #fur #camels

Reconstruction of the Ossoliński Palace in Warsaw by Wojciech Kret, 1965. The palace, later known as the Brühl Palace, was built between 1639-1642 by Lorenzo de Sent for Crown Grand Chancellor Jerzy Ossoliński in Mannerist style. The palace was adorned with sculptures - an allegory of Poland above the main portal, four figures of kings of Poland in the niches and a statue of Minerva crowning the roof. #reconstruction #ossolinskipalace #artinpl #warsaw #17thcenturypalace Warsaw, 17th Century, Poland, Portal, Skiing, Sculptures, Louvre, Crown, Statue

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Reconstruction of the Ossoliński Palace in Warsaw by Wojciech Kret, 1965. The palace, later known as the Brühl Palace, was built between 1639-1642 by Lorenzo de Sent for Crown Grand Chancellor Jerzy Ossoliński in Mannerist style. The palace was adorned with sculptures - an allegory of Poland above the main portal, four figures of kings of Poland in the niches and a statue of Minerva crowning the roof. #reconstruction #ossolinskipalace #artinpl #warsaw #17thcenturypalace

Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #bulava #turks Commonwealth, Warsaw, Rome, Polish, Painting, Art, Art Background, Vitreous Enamel, Painting Art

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Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #bulava #turks

Silver plaque with a portrait of Jerzy Ossoliński, his entry into Rome (left) and his palace in Warsaw (right) by Johannes Bass after Bartholomäus Strobel, 1643, Wawel Royal Castle. #17thcentury #artinpl #polishcostume Warsaw, 17th Century, Rome, Castle, Statue, Costumes, Commonwealth, Portrait, Palace

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Silver plaque with a portrait of Jerzy Ossoliński, his entry into Rome (left) and his palace in Warsaw (right) by Johannes Bass after Bartholomäus Strobel, 1643, Wawel Royal Castle. #17thcentury #artinpl #polishcostume

Polish gold and silver smithery

Silver-gilt crown of a statue by Anonymous from Poland, first half of the 18th century (?), Church of Immaculate Conception in Rawa Mazowiecka. Found in 2018 behind the main altar. Said to belong to king John II Casimir Vasa who was living in Rawa during Lubomirski's rebellion between 1665 and 1666. © Marcin Latka #jewellery #artinpl #jewels King John, Immaculate Conception, Altar, Anonymous, 18th Century, Poland, Crown, Statue, Jewels

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Silver-gilt crown of a statue by Anonymous from Poland, first half of the 18th century (?), Church of Immaculate Conception in Rawa Mazowiecka. Found in 2018 behind the main altar. Said to belong to king John II Casimir Vasa who was living in Rawa during Lubomirski's rebellion between 1665 and 1666. © Marcin Latka #jewellery #artinpl #jewels

Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Coat Of Arms, Art Decor, Statue, Lithuania, Poland, Nautilus, Middle Ages, Renaissance, Amsterdam

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

Silver casket with a figurine of Venus and a cartouche by Daniel Friedrich von Mylius in Gdańsk, late 17th century, National Museum in Warsaw. Long-term loan of the Bank Pekao. © Marcin Latka #silver #casket #figurine #venus #danielfriedrichvonmylius #gdansk #artinpl #nationalmuseuminwarsaw #repousse #cast #cartouche Long Term Loans, Casket, Warsaw, National Museum, 17th Century, Rugs On Carpet, Venus, Decorative Boxes, It Cast

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Silver casket with a figurine of Venus and a cartouche by Daniel Friedrich von Mylius in Gdańsk, late 17th century, National Museum in Warsaw. Long-term loan of the Bank Pekao. © Marcin Latka #silver #casket #figurine #venus #danielfriedrichvonmylius #gdansk #artinpl #nationalmuseuminwarsaw #repousse #cast #cartouche

Rococo reliquary of Saint Thecla by Anonymous from Poland (Makary Sztyftowski?), mid-18th century, Museum of Sacral Art in Zamość. © Marcin Latka #18thcentury #zamosc #artinpl #sacralart #rococo #reliquary #saintthecla #poland #makarysztyftowski Rococo, 18th Century, Saints, Museum, Anonymous, Poland, Art, Art Background, Kunst

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Rococo reliquary of Saint Thecla by Anonymous from Poland (Makary Sztyftowski?), mid-18th century, Museum of Sacral Art in Zamość. © Marcin Latka #18thcentury #zamosc #artinpl #sacralart #rococo #reliquary #saintthecla #poland #makarysztyftowski

(1) Reliquary of Saint Stanislaus founded by Bishop Marcin Szyszkowski by Anonymous from Poland, ca. 1616-1621, Basilica of Saint Francis of Assisi, (2) ​Polish Eagle, fragment of silver goblet with Saint Catherine by Anonymous from Kraków, first quarter of the 17th century, Kremlin Museum, (3) Vera icon of Constance of Austria in a silver-gilt frame founded by Primate Jan Wężyk by Anonymous from Poland, 1630s, Diocesan Museum in Łowicz. #silver #gilt #artinpl #silversmithery Saint Francis, Francis Of Assisi, Saint George, St Michael, Casket, Persian Carpet, National Museum, Coat Of Arms, Middle Ages

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(1) Reliquary of Saint Stanislaus founded by Bishop Marcin Szyszkowski by Anonymous from Poland, ca. 1616-1621, Basilica of Saint Francis of Assisi, (2) ​Polish Eagle, fragment of silver goblet with Saint Catherine by Anonymous from Kraków, first quarter of the 17th century, Kremlin Museum, (3) Vera icon of Constance of Austria in a silver-gilt frame founded by Primate Jan Wężyk by Anonymous from Poland, 1630s, Diocesan Museum in Łowicz. #silver #gilt #artinpl #silversmithery

Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Nautilus, Coat Of Arms, Art Decor, Museum, Vase, Amsterdam, Berlin, Insects, Projects

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

Two jewelled mitres of Bishops of Kraków in the Cathedral Museum at Wawel Hill: (1) Mitre of Bishop Andrzej Lipski by Anonymous from Poland, 1617-1630, (2) Mitre of Cardinal Jan Aleksander Lipski by Anonymous from Poland, 1733-1746. #manneristjewels #baroquejewels #artinpl #17thcenturyembroidery #18thcenturyembroidery Krakow, 17th Century, Anonymous, Baroque, Poland, Cathedral, Museum, Jewels, Embroidery

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Two jewelled mitres of Bishops of Kraków in the Cathedral Museum at Wawel Hill: (1) Mitre of Bishop Andrzej Lipski by Anonymous from Poland, 1617-1630, (2) Mitre of Cardinal Jan Aleksander Lipski by Anonymous from Poland, 1733-1746. #manneristjewels #baroquejewels #artinpl #17thcenturyembroidery #18thcenturyembroidery

Silver-gilt mass chalice by Anonymous from Poland, 1641, Museum of Sacral Art in Zamość. © Marcin Latka #17thcentury #zamosc #artinpl #sacralart #silver #gilt #masschalice #poland #1641 #enamel Mason Jar Wine Glass, Anonymous, Poland, Fountain, Enamel, Museum, Tableware, Silver, Art

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Silver-gilt mass chalice by Anonymous from Poland, 1641, Museum of Sacral Art in Zamość. © Marcin Latka #17thcentury #zamosc #artinpl #sacralart #silver #gilt #masschalice #poland #1641 #enamel

Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Nautilus, Coat Of Arms, Amsterdam, Art Decor, Berlin, Insects, Museum, Family Crest, Museums

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

Fragments of a chain by Anonymous (Transylvania or Poland), second half of 16th century, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #gold #poland #torun #artinpl #skrwilno #polish #renaissance Commonwealth, 16th Century, Regional, Anonymous, Poland, Renaissance, Countries, Cufflinks, Enamel

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Fragments of a chain by Anonymous (Transylvania or Poland), second half of 16th century, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #gold #poland #torun #artinpl #skrwilno #polish #renaissance

Chain set with precious stones by Anonymous (Germany or Poland), ca. 1600, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #gold #poland #torun #artinpl #skrwilno #polish #renaissance #chain #rubies Commonwealth, Regional, Anonymous, Poland, Renaissance, Countries, Germany, Enamel, Stones

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Chain set with precious stones by Anonymous (Germany or Poland), ca. 1600, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #gold #poland #torun #artinpl #skrwilno #polish #renaissance #chain #rubies

Silver casket with Venus and symbols of the four seasons by Christian I Pichgel in Gdańsk, before 1700, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #silver #casket #venus #symbols #fourseasons #christianpichgel #gdansk #artinpl #museum #decorative #berlin #openwork #tendril #octagonal #box #fruitfestons #gilt Great Names, Casket, Four Seasons, Art Decor, Decorative Boxes, Museum, Symbols, Silver, Venus

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Silver casket with Venus and symbols of the four seasons by Christian I Pichgel in Gdańsk, before 1700, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #silver #casket #venus #symbols #fourseasons #christianpichgel #gdansk #artinpl #museum #decorative #berlin #openwork #tendril #octagonal #box #fruitfestons #gilt

Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Nautilus, Coat Of Arms, Amsterdam, Art Decor, Berlin, Insects, Museum, Christmas Ornaments, Holiday Decor

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

(1-2) Marshal's staff with "Lis" coat of arms inlaid with tortoise shell, nacre, enamel and set with semi-precious stones by Anonymous from Poland, first quarter of the 17th century or ca. 1699 (?), National Museum in Warsaw, lost during World War II. (3) Portrait of Jan Stanisław Sapieha (1589-1635) of "Lis" coat of arms, Grand Marshal of Lithuania holding Marshal's staff by Anonymous, 1709, Wawel Royal Castle. © Marcin Latka #marshalstaff #marshalcane #inlaid #tortoiseshell #nacre #artinpl National Museum, Coat Of Arms, Tortoise Shell, 17th Century, Poland, Stone, Diamond, Jewelry, Rock

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(1-2) Marshal's staff with "Lis" coat of arms inlaid with tortoise shell, nacre, enamel and set with semi-precious stones by Anonymous from Poland, first quarter of the 17th century or ca. 1699 (?), National Museum in Warsaw, lost during World War II. (3) Portrait of Jan Stanisław Sapieha (1589-1635) of "Lis" coat of arms, Grand Marshal of Lithuania holding Marshal's staff by Anonymous, 1709, Wawel Royal Castle. © Marcin Latka #marshalstaff #marshalcane #inlaid #tortoiseshell #nacre #artinpl

Silver reliquary of Saint John Cantius with crossed academic sceptres held by angels by Anonymous from Kraków, 1703, Museum of Sacral Art in Zamość. © Marcin Latka #18thcentury #zamosc #artinpl #sacralart #silver #reliquary #saintjohncantius #crossed #academic #sceptres #angels #krakow #1703 St John Cantius, Saint John, Krakow, 18th Century, Decorative Boxes, Museum, Antiques, Anonymous, Silver

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Silver reliquary of Saint John Cantius with crossed academic sceptres held by angels by Anonymous from Kraków, 1703, Museum of Sacral Art in Zamość. © Marcin Latka #18thcentury #zamosc #artinpl #sacralart #silver #reliquary #saintjohncantius #crossed #academic #sceptres #angels #krakow #1703

(1) Silver "Yad" pointer, (2) Silver-gilt "Keter Torah" crown, (3) Silver "Tas" Torah shield by Anonymous (Poland), 18th century, National Museum in Warsaw and Kraków, deposited to the POLIN Museum in Warsaw. #silver #yadpointer #gilt #keter #torahcrown #tas #artinpl #torahshield #poland #18th century #nationalmuseuminwarsaw #polinmuseum #warsaw #jewishart Jewish Art, Torah, Krakow, Warsaw, National Museum, Pointers, Anonymous, 18th Century, Poland

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(1) Silver "Yad" pointer, (2) Silver-gilt "Keter Torah" crown, (3) Silver "Tas" Torah shield by Anonymous (Poland), 18th century, National Museum in Warsaw and Kraków, deposited to the POLIN Museum in Warsaw. #silver #yadpointer #gilt #keter #torahcrown #tas #artinpl #torahshield #poland #18th century #nationalmuseuminwarsaw #polinmuseum #warsaw #jewishart

​(1) Portrait of Primate Bernard Maciejowski against silver altar set, ca. 1606, Franciscan Monastery in Kraków, (​2) Silver altar cross offered by Primate Wacław Leszczyński to the Gniezno Cathedral, first quarter of the 17th century, Archdiocesan Museum in Gniezno, (3) Silver votive plaque with velvet background of Jan Wolski, 1631, Treasury of the Jasna Góra Monastery, (4) Fragment of a monstrance adorned with jewels from private donations, ca. 1650, Dominican Monastery in Lublin… Francis Of Assisi, St Francis, Saint George, St Michael, Krakow, Primates, Casket, 15th Century, National Museum

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​(1) Portrait of Primate Bernard Maciejowski against silver altar set, ca. 1606, Franciscan Monastery in Kraków, (​2) Silver altar cross offered by Primate Wacław Leszczyński to the Gniezno Cathedral, first quarter of the 17th century, Archdiocesan Museum in Gniezno, (3) Silver votive plaque with velvet background of Jan Wolski, 1631, Treasury of the Jasna Góra Monastery, (4) Fragment of a monstrance adorned with jewels from private donations, ca. 1650, Dominican Monastery in Lublin…

(1) ​Silver crosier of Bishop Andrzej Krzycki by Anonymous from Kraków, 1527-1535, Płock Cathedral, (2) Fragment of gold reliquary for the head of Saint Stanislaus by Marcin Marciniec, 1504, Cathedral Museum at Wawel Hill in Kraków, ​(3) Gold chalice founded by Anna Alojza Chodkiewicz by Anonymous from Poland, ca. 1633, Treasury of the Lublin Archcathedral, (4) Fragment of monstrance adorned with enamel by Anonymous from Poland, 1670s, ​Treasury of the Jasna Góra Monastery. #artinpl #silver Krakow, Casket, Persian Carpet, Byzantine, Coat Of Arms, Middle Ages, Rugs On Carpet, Poland, Cathedral

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(1) ​Silver crosier of Bishop Andrzej Krzycki by Anonymous from Kraków, 1527-1535, Płock Cathedral, (2) Fragment of gold reliquary for the head of Saint Stanislaus by Marcin Marciniec, 1504, Cathedral Museum at Wawel Hill in Kraków, ​(3) Gold chalice founded by Anna Alojza Chodkiewicz by Anonymous from Poland, ca. 1633, Treasury of the Lublin Archcathedral, (4) Fragment of monstrance adorned with enamel by Anonymous from Poland, 1670s, ​Treasury of the Jasna Góra Monastery. #artinpl #silver

Silver reliquary of Saint John Cantius with crossed academic sceptres held by angels and silver candlesticks with the crests of the Zamość Academy by Anonymous, 1703 (reliquary) and around 1630 (candlesticks), Museum of Sacral Art in Zamość. © Marcin Latka #18thcentury #zamosc #artinpl #sacralart #silver #reliquary #saintjohncantius #crossed #academic #sceptres #angels #krakow #1703 #candlesticks #crests #zamoscacademy #1630 St John Cantius, Saint John, Silver Candlesticks, Crests, Krakow, Anonymous, 18th Century, Snow Globes, Angels

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Silver reliquary of Saint John Cantius with crossed academic sceptres held by angels and silver candlesticks with the crests of the Zamość Academy by Anonymous, 1703 (reliquary) and around 1630 (candlesticks), Museum of Sacral Art in Zamość. © Marcin Latka #18thcentury #zamosc #artinpl #sacralart #silver #reliquary #saintjohncantius #crossed #academic #sceptres #angels #krakow #1703 #candlesticks #crests #zamoscacademy #1630

Feretory of the Confraternity of the Rosary with Madonna and Child by Anonymous (Lublin), mid-17th century, Dominican Monastery in Lublin. #oilonpanel #artinpl #giltonsilver #riza #baroque #painting Baroque Painting, Madonna And Child, 17th Century, Anonymous, Fashion, Moda, Fashion Styles, Fashion Illustrations

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Feretory of the Confraternity of the Rosary with Madonna and Child by Anonymous (Lublin), mid-17th century, Dominican Monastery in Lublin. #oilonpanel #artinpl #giltonsilver #riza #baroque #painting

Silver bowl on foot from Nieszawa decorated with floral ornament and angel heads by Anonymous from Poland, first quarter of the 17th century, District Museum in Toruń. A vessel in the shape of a boat, decorated with floral ornament and angel heads. #ailver #bowl #nieszawa #floralornament #angelheads #artinpl #boat #districtmuseumintorun 17th Century, Anonymous, Rugs On Carpet, Poland, Decorative Bowls, Museum, Boat, Angel, Shapes

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Silver bowl on foot from Nieszawa decorated with floral ornament and angel heads by Anonymous from Poland, first quarter of the 17th century, District Museum in Toruń. A vessel in the shape of a boat, decorated with floral ornament and angel heads. #ailver #bowl #nieszawa #floralornament #angelheads #artinpl #boat #districtmuseumintorun

Chain set with precious stones by Anonymous (Germany or Poland), ca. 1600, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #gold #poland #torun #artinpl #skrwilno #polish #renaissance #chain #rubies Commonwealth, Regional, Anonymous, Poland, Renaissance, Countries, Germany, Enamel, Stones

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Chain set with precious stones by Anonymous (Germany or Poland), ca. 1600, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #gold #poland #torun #artinpl #skrwilno #polish #renaissance #chain #rubies

(1) Monstrance donated by Bishop Piotr Gembicki to the Wawel Cathedral by Anonymous from Bologna and Kraków, ca. 1647, Wawel Cathedral Treasury, (2) Throne of Bishop Piotr Gembicki with statues of Saints Peter and Paul and his coat of arms by Anonymous from Kraków, between 1642 and 1654, Wawel Cathedral, (3-4) Silver and crystal monstrance and silver candlestick set with precious stones by Hans Jakob Mair, ca. 1668, Jasna Góra Treasury. #artinpl #silversmithery #17thcenturysilver… St Peter And Paul, Silver Candlesticks, Byzantine, Coat Of Arms, 17th Century, Rugs On Carpet, Baroque, Commonwealth, Bologna

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(1) Monstrance donated by Bishop Piotr Gembicki to the Wawel Cathedral by Anonymous from Bologna and Kraków, ca. 1647, Wawel Cathedral Treasury, (2) Throne of Bishop Piotr Gembicki with statues of Saints Peter and Paul and his coat of arms by Anonymous from Kraków, between 1642 and 1654, Wawel Cathedral, (3-4) Silver and crystal monstrance and silver candlestick set with precious stones by Hans Jakob Mair, ca. 1668, Jasna Góra Treasury. #artinpl #silversmithery #17thcenturysilver…

(1) Reliquary cross of Andrzej Nosek, Abbot of Tyniec by Anonymous from Kraków, ca. 1480, Cathedral Treasury in Tarnów, (2) Rock crystal reliquary by Anonymous from Kraków, beginning of the 17th century, Mogiła Abbey, (3) Monstrance with St. Benedict and St. Scholastica from Tyniec by Anonymous from Lesser Poland, 1679, Cathedral Treasury in Tarnów, (4) Ciborium of Stefan Opatkowski adorned with mother of pearl by Anonymous from Kraków, 1700, Franciscan Monastery in Kraków. #artinpl #silver Saint George, St Michael, Krakow, Casket, Persian Carpet, Coat Of Arms, Middle Ages, Anonymous, Poland

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(1) Reliquary cross of Andrzej Nosek, Abbot of Tyniec by Anonymous from Kraków, ca. 1480, Cathedral Treasury in Tarnów, (2) Rock crystal reliquary by Anonymous from Kraków, beginning of the 17th century, Mogiła Abbey, (3) Monstrance with St. Benedict and St. Scholastica from Tyniec by Anonymous from Lesser Poland, 1679, Cathedral Treasury in Tarnów, (4) Ciborium of Stefan Opatkowski adorned with mother of pearl by Anonymous from Kraków, 1700, Franciscan Monastery in Kraków. #artinpl #silver

Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Nautilus, Art Decor, Commonwealth, Christmas Ornaments, Holiday Decor, Amsterdam, Berlin, Insects, Arms

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

Silver scissors for trimming candle wicks (snuffers) by Hans Marttelius, 1641-1649, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. A pair of scissors for trimming candle wicks with Prawdzic coat of arms of and initials of Stanisław Piwo (d. 1649), deputy cup-bearer of Płock and a monogram of his wife (Z). Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. © Marcin Latka #artinpl Coat Of Arms, Candle Wicks, Initials, Monogram, Commonwealth, Personalized Items, Regional, Scissors, Countries

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Silver scissors for trimming candle wicks (snuffers) by Hans Marttelius, 1641-1649, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. A pair of scissors for trimming candle wicks with Prawdzic coat of arms of and initials of Stanisław Piwo (d. 1649), deputy cup-bearer of Płock and a monogram of his wife (Z). Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. © Marcin Latka #artinpl

Bracelet with a stylized cartouche by Anonymous (Poland), first quarter of the 17th century, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. One of a pair of similar bracelets. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #niello #gold #poland #torun #artinpl #skrwilno #polish #bracelet #stylized #cartouche #renaissance Bracelet Wrap, Bracelets, Saint George, Persian Carpet, Monogram, Pendants, Commonwealth, 17th Century, Regional

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Bracelet with a stylized cartouche by Anonymous (Poland), first quarter of the 17th century, Toruń Regional Museum. Skrwilno and Nieszawa Treasure. One of a pair of similar bracelets. Hidden during invasion of the Polish-Lithuanian Commonwealth by neighbouring countries known as the Deluge (1655-1660) by the owner Zofia Magdalena Loka. #enamel #niello #gold #poland #torun #artinpl #skrwilno #polish #bracelet #stylized #cartouche #renaissance

Silver casket with Venus and symbols of the four seasons by Christian I Pichgel in Gdańsk, before 1700, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #silver #casket #venus #symbols #fourseasons #christianpichgel #gdansk #artinpl #museum #decorative #berlin #openwork #tendril #octagonal #box #fruitfestons #gilt Casket, Four Seasons, Venus, Art Decor, Berlin, Decorative Boxes, Museum, Symbols, Christian

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Silver casket with Venus and symbols of the four seasons by Christian I Pichgel in Gdańsk, before 1700, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #silver #casket #venus #symbols #fourseasons #christianpichgel #gdansk #artinpl #museum #decorative #berlin #openwork #tendril #octagonal #box #fruitfestons #gilt

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Nautilus, Coat Of Arms, Amsterdam, Art Decor, Berlin, Insects, Museum, Family Crest, Museums

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

Abbot Augustyn Kordecki's monstrance by Wacław Grotko in Warsaw, 1672, Treasury of the Jasna Góra Monastery. #1670s #artinpl #17thcentury #gold #preciousstones #baroque Warsaw, 17th Century, Crosses, Baroque, Crown, Gold, Jewelry, Corona, Jewlery

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Abbot Augustyn Kordecki's monstrance by Wacław Grotko in Warsaw, 1672, Treasury of the Jasna Góra Monastery. #1670s #artinpl #17thcentury #gold #preciousstones #baroque

Silver sarcophagus of Saint Stanislaus by Peter von der Rennen in Gdańsk and Jakob Jäger I (or II) in Augsburg, 1669-1671, Wawel Cathedral. The first Baroque silver reliquary of Saint Stanislaus commissioned by King Sigismund III Vasa in 1630 in Augsburg was destroyed in 1657 by Swedish troops of Paul Würtz. New reliquary was commissioned it in the workshop of Peter von der Rennen in Gdańsk, who also created silver sarcophagus of Saint Adalbert in Gniezno. #17thcentury #artinpl #1660s Great Names, 17th Century, Archaeology, Baroque, Cathedral, Saints, Statue, History, Silver

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Silver sarcophagus of Saint Stanislaus by Peter von der Rennen in Gdańsk and Jakob Jäger I (or II) in Augsburg, 1669-1671, Wawel Cathedral. The first Baroque silver reliquary of Saint Stanislaus commissioned by King Sigismund III Vasa in 1630 in Augsburg was destroyed in 1657 by Swedish troops of Paul Würtz. New reliquary was commissioned it in the workshop of Peter von der Rennen in Gdańsk, who also created silver sarcophagus of Saint Adalbert in Gniezno. #17thcentury #artinpl #1660s

Gold medallion with Sacrifice of Isaac by Anonymous from Poland, turn of the and century, Treasury of the Jasna Góra Monastery. Polish Clothing, Gold Medallion, Poland, Lithuania, St Michael, Middle Ages, 17th Century, Gold Pendant, Anonymous

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(1) Gold medallion with Sacrifice of Isaac by Anonymous from Poland, turn of the 16th and 17th century, Treasury of the Jasna Góra Monastery, (2) ​Gold pendant with Annunciation to Mary by Anonymous from Poland, first quarter of the 17th century, Treasury of the Norbertines Convent in Kraków. © Marcin Latka #jewellery #artinpl #jewels #mannerist

Archaic Poland

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Ars Homo Erotica

(1-2) Portrait of a young man (?) in a fur coat by Raphael, 1513-1514, Czartoryski Museum in Cracow, lost during World War II. The painting was acquired by Adam Jerzy Czartoryski in Venice in 1800 or 1801 from the Giustiniani collection, (3-4) Detail of the School of Athens by Raphael, 1509-1511, Raphael Rooms, Vatican Museums. The same youth was most probably depicted as Alexandrine female mathematician Hypatia. #intersex #artinpl #16thcentury #renaissance #hermaphroditus #male #female…

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(1-2) Portrait of a young man (?) in a fur coat by Raphael, 1513-1514, Czartoryski Museum in Cracow, lost during World War II. The painting was acquired by Adam Jerzy Czartoryski in Venice in 1800 or 1801 from the Giustiniani collection, (3-4) Detail of the School of Athens by Raphael, 1509-1511, Raphael Rooms, Vatican Museums. The same youth was most probably depicted as Alexandrine female mathematician Hypatia. #intersex #artinpl #16thcentury #renaissance #hermaphroditus #male #female…

Augustus II and Augustus III

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Anna and Stephen Báthory

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Bronze busts of Sigismund III Vasa and Constance of Austria

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Crown jewels of Poland

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Dukes of Pomerania

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Dukes of Silesia

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Enlightened magnates

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January Uprising

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Jewels of the Polish Vasas

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John III Sobieski

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Last Polish Jagiellons

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Lost art

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Lubomirski family

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Medieval Poland

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Medieval Pomerania

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Medieval Silesia

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Michael Korybut Wiśniowiecki

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Polish carpets

(1) Ushak carpet with coat of arms of Krzysztof Wiesiołowski by Anonymous from Poland or Turkey, ca. 1635, Museum of Islamic Art in Berlin, (2) Czartoryski carpet with emblem of the Myszkowski family of the Jastrzębiec coat of arms by Anonymous from Iran, mid-17th century, Metropolitan Museum of Art. Possibly commissioned by Franciszek Myszkowski, castellan of Belz and marshal of Crown Tribunal in 1668 (identification of the emblem by Marcin Latka). #persiancarpet #artinpl #polishcarpets Berlin, Car Polish, Saint George, St Michael, Casket, Poland, Lithuania, Armenia, Persian Carpet

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(1) Ushak carpet with coat of arms of Krzysztof Wiesiołowski by Anonymous from Poland or Turkey, ca. 1635, Museum of Islamic Art in Berlin, (2) Czartoryski carpet with emblem of the Myszkowski family of the Jastrzębiec coat of arms by Anonymous from Iran, mid-17th century, Metropolitan Museum of Art. Possibly commissioned by Franciszek Myszkowski, castellan of Belz and marshal of Crown Tribunal in 1668 (identification of the emblem by Marcin Latka). #persiancarpet #artinpl #polishcarpets

Polish-Lithuanian Commonwealth

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(1-2) Portrait of a young man (?) in a fur coat by Raphael, 1513-1514, Czartoryski Museum in Cracow, lost during World War II. The painting was acquired by Adam Jerzy Czartoryski in Venice in 1800 or 1801 from the Giustiniani collection, (3-4) Detail of the School of Athens by Raphael, 1509-1511, Raphael Rooms, Vatican Museums. The same youth was most probably depicted as Alexandrine female mathematician Hypatia. #intersex #artinpl #16thcentury #renaissance #hermaphroditus #male #female…

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(1-2) Portrait of a young man (?) in a fur coat by Raphael, 1513-1514, Czartoryski Museum in Cracow, lost during World War II. The painting was acquired by Adam Jerzy Czartoryski in Venice in 1800 or 1801 from the Giustiniani collection, (3-4) Detail of the School of Athens by Raphael, 1509-1511, Raphael Rooms, Vatican Museums. The same youth was most probably depicted as Alexandrine female mathematician Hypatia. #intersex #artinpl #16thcentury #renaissance #hermaphroditus #male #female…

(1-2) Silver cartouche with Topór coat of arms of Jerzy Ossoliński from the silver-ebony altar in the Chapel of Black Madonna of Częstochowa by Johann Christian Bierpfaff in Warsaw, 1650, Jasna Góra Monastery, (3) Silver plaque with a portrait of Jerzy Ossoliński by circle of Johannes Bass, ca. 1643, Wawel Royal Castle. © Marcin Latka #17thcentury #artinpl #polishcostume #baroque Coat Of Arms, 17th Century, Altar, Madonna, Baroque, Lion Sculpture, Castle, Christian, Statue

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(1-2) Silver cartouche with Topór coat of arms of Jerzy Ossoliński from the silver-ebony altar in the Chapel of Black Madonna of Częstochowa by Johann Christian Bierpfaff in Warsaw, 1650, Jasna Góra Monastery, (3) Silver plaque with a portrait of Jerzy Ossoliński by circle of Johannes Bass, ca. 1643, Wawel Royal Castle. © Marcin Latka #17thcentury #artinpl #polishcostume #baroque

Entry of Jerzy Ossoliński into Rome in 1633 by Bernardo Bellotto, 1779, National Museum in Wrocław. Commissined by Józef Maksymilian Ossoliński (1748-1826). © Marcin Latka #artinpl #nationalmuseuminwroclaw #polishlithuaniancommonwealth #entry #jerzyossolinski #rome #1633 #bernardobellotto #1779 Rwby, Poland, Painting, Art, Art Background, Painting Art, Kunst, Paintings, Performing Arts

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Entry of Jerzy Ossoliński into Rome in 1633 by Bernardo Bellotto, 1779, National Museum in Wrocław. Commissined by Józef Maksymilian Ossoliński (1748-1826). © Marcin Latka #artinpl #nationalmuseuminwroclaw #polishlithuaniancommonwealth #entry #jerzyossolinski #rome #1633 #bernardobellotto #1779

Horse tack of Samuel Oskierko by Anonymous from Poland, before 1633, Polish Army Museum. It belonged to a member of the Polish-Lithuanian Commonwealth's legation to Rome in 1633, lead by Jerzy Ossoliński. #fragment #horse #tack #samueloskierko #poland #polisharmymuseum #legation #rome #jerzyossolinski #artinpl #warsaw #silverthread #velvet #silk #mounted #wood #gilt #grenade #karneol Horse Tack, Rome, Museum, Velvet, Horses, Warsaw, Anonymous, Poland, Bags

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Horse tack of Samuel Oskierko by Anonymous from Poland, before 1633, Polish Army Museum. It belonged to a member of the Polish-Lithuanian Commonwealth's legation to Rome in 1633, lead by Jerzy Ossoliński. #fragment #horse #tack #samueloskierko #poland #polisharmymuseum #legation #rome #jerzyossolinski #artinpl #warsaw #silverthread #velvet #silk #mounted #wood #gilt #grenade #karneol

Portrait of Jerzy Ossoliński by Peter Danckerts de Rij, after 1643, Royal Castle in Warsaw. The chancellor is holding a signet of the Great Seal of the Crown of Poland. #17thcentury #artinpl #polishcostume Warsaw, The Crown, 17th Century, Poland, Seal, Castle, Costumes, Portrait, Art

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Portrait of Jerzy Ossoliński by Peter Danckerts de Rij, after 1643, Royal Castle in Warsaw. The chancellor is holding a signet of the Great Seal of the Crown of Poland. #17thcentury #artinpl #polishcostume

Detail of Allegory of the rule of Sigismund III Vasa from the thesis of Gabriel Kilian Ligęza of Bobrek, to be defended in Douai on 22nd August 1628 with (1) Minerva and (2-3) personification of Poland by Schelte Adamsz. à Bolswert after Pieter Claesz Soutman, 1628, British Museum. The rooftop of the Ossoliński Palace in Warsaw, built between 1639-1642, was adorned with a statue of Minerva, while the main portal had a statue of Poland holding a sickle. #17thcentury #artinpl #mannerism… Warsaw, British Museum, 17th Century, Thesis, Rooftop, Gabriel, Baroque, Poland, Portal

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Detail of Allegory of the rule of Sigismund III Vasa from the thesis of Gabriel Kilian Ligęza of Bobrek, to be defended in Douai on 22nd August 1628 with (1) Minerva and (2-3) personification of Poland by Schelte Adamsz. à Bolswert after Pieter Claesz Soutman, 1628, British Museum. The rooftop of the Ossoliński Palace in Warsaw, built between 1639-1642, was adorned with a statue of Minerva, while the main portal had a statue of Poland holding a sickle. #17thcentury #artinpl #mannerism…

Wealthiest Polish-Lithuanian magnates, cardinals and bishops of the Roman Catholic Church in Poland in the first half of the 17th century during mannerist and early baroque period

Mannerist magnates

Wealthiest Polish-Lithuanian magnates, cardinals and bishops of the Roman Catholic Church in Poland in the first half of the 17th century during mannerist and early baroque period

Ossoliński and Kazanowski-Radziejowski Palace in 1656, detail of View of Warsaw from the Vistula River by Nicolas Pérelle after Erik Dahlbergh, 1696, National Library in Warsaw. #17thcentury #artinpl #architecture #mannerism #baroque Warsaw, 17th Century, Baroque, Palace, River, Detail, Architecture, Art, Arquitetura

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Ossoliński and Kazanowski-Radziejowski Palace in 1656, detail of View of Warsaw from the Vistula River by Nicolas Pérelle after Erik Dahlbergh, 1696, National Library in Warsaw. #17thcentury #artinpl #architecture #mannerism #baroque

Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #fur #camels Commonwealth, Vintage World Maps, Camels, Warsaw, Rome, Polish, Painting, Fur, Vitreous Enamel

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Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #fur #camels

Reconstruction of the Ossoliński Palace in Warsaw by Wojciech Kret, 1965. The palace, later known as the Brühl Palace, was built between 1639-1642 by Lorenzo de Sent for Crown Grand Chancellor Jerzy Ossoliński in Mannerist style. The palace was adorned with sculptures - an allegory of Poland above the main portal, four figures of kings of Poland in the niches and a statue of Minerva crowning the roof. #reconstruction #ossolinskipalace #artinpl #warsaw #17thcenturypalace Warsaw, 17th Century, Poland, Portal, Skiing, Sculptures, Louvre, Crown, Statue

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Reconstruction of the Ossoliński Palace in Warsaw by Wojciech Kret, 1965. The palace, later known as the Brühl Palace, was built between 1639-1642 by Lorenzo de Sent for Crown Grand Chancellor Jerzy Ossoliński in Mannerist style. The palace was adorned with sculptures - an allegory of Poland above the main portal, four figures of kings of Poland in the niches and a statue of Minerva crowning the roof. #reconstruction #ossolinskipalace #artinpl #warsaw #17thcenturypalace

Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #bulava #turks Commonwealth, Warsaw, Rome, Polish, Painting, Art, Art Background, Vitreous Enamel, Painting Art

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Entry into Rome of the Polish-Lithuanian Commonwealth's ambassador Jerzy Ossoliński in 1633 (Entrata in Roma dell'Eccel.mo Ambasciatore di Pollonia Anno 1633) by Giovanni Giacomo de Rossi after Stefano della Bella, 1650, National Library in Warsaw. #17thcentury #artinpl #polishcostume #polishhorses #horsetack #bulava #turks

Silver plaque with a portrait of Jerzy Ossoliński, his entry into Rome (left) and his palace in Warsaw (right) by Johannes Bass after Bartholomäus Strobel, 1643, Wawel Royal Castle. #17thcentury #artinpl #polishcostume Warsaw, 17th Century, Rome, Castle, Statue, Costumes, Commonwealth, Portrait, Palace

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Silver plaque with a portrait of Jerzy Ossoliński, his entry into Rome (left) and his palace in Warsaw (right) by Johannes Bass after Bartholomäus Strobel, 1643, Wawel Royal Castle. #17thcentury #artinpl #polishcostume

Details of (1-3) Saint Ladislaus whipping himself and (4) Saint Ladislaus giving alms by Tommaso Dolabella, 1635-1636. Paintings from the Royal Chapel at the Bielany Monastery in Kraków, founded by king Ladislaus IV Vasa, most probably depicting interiors of one of the royal residences in Kraków (Wawel, Łobzów) or Warsaw (Royal Castle, Villa Regia, Ujazdów). © Marcin Latka #17thcentury #artinpl #palaceinterior #polishvasas #kingofpoland Palace Interior, Royal Residence, Krakow, Commonwealth, Warsaw, 17th Century, Castle, Villa, Polish

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Details of (1-3) Saint Ladislaus whipping himself and (4) Saint Ladislaus giving alms by Tommaso Dolabella, 1635-1636. Paintings from the Royal Chapel at the Bielany Monastery in Kraków, founded by king Ladislaus IV Vasa, most probably depicting interiors of one of the royal residences in Kraków (Wawel, Łobzów) or Warsaw (Royal Castle, Villa Regia, Ujazdów). © Marcin Latka #17thcentury #artinpl #palaceinterior #polishvasas #kingofpoland

Silver-gilt crown of a statue by Anonymous from Poland, first half of the 18th century (?), Church of Immaculate Conception in Rawa Mazowiecka. Found in 2018 behind the main altar. Said to belong to king John II Casimir Vasa who was living in Rawa during Lubomirski's rebellion between 1665 and 1666. © Marcin Latka #jewellery #artinpl #jewels King John, Immaculate Conception, Altar, Anonymous, 18th Century, Poland, Crown, Statue, Jewels

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Silver-gilt crown of a statue by Anonymous from Poland, first half of the 18th century (?), Church of Immaculate Conception in Rawa Mazowiecka. Found in 2018 behind the main altar. Said to belong to king John II Casimir Vasa who was living in Rawa during Lubomirski's rebellion between 1665 and 1666. © Marcin Latka #jewellery #artinpl #jewels

Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa Coat Of Arms, Art Decor, Statue, Lithuania, Poland, Nautilus, Middle Ages, Renaissance, Amsterdam

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Nautilus cup with coat of arms of abbot Aleksander Kęsowski by Andreas I Mackensen in Gdańsk (mounting) and Jean Bellekin in Amsterdam (engraving), 1643-1667, Museum of Decorative Arts in Berlin. © Marcin Latka #fragment #nautilus #cup #abbot #aleksanderkesowski #andreasmackensen #gdansk #mounting #jeanbellekin #amsterdam #engraving #artinpl #museum #decorative #berlin #gilt #insects #oliwa

Silver casket with a figurine of Venus and a cartouche by Daniel Friedrich von Mylius in Gdańsk, late 17th century, National Museum in Warsaw. Long-term loan of the Bank Pekao. © Marcin Latka #silver #casket #figurine #venus #danielfriedrichvonmylius #gdansk #artinpl #nationalmuseuminwarsaw #repousse #cast #cartouche Long Term Loans, Casket, Warsaw, National Museum, 17th Century, Rugs On Carpet, Venus, Decorative Boxes, It Cast

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Silver casket with a figurine of Venus and a cartouche by Daniel Friedrich von Mylius in Gdańsk, late 17th century, National Museum in Warsaw. Long-term loan of the Bank Pekao. © Marcin Latka #silver #casket #figurine #venus #danielfriedrichvonmylius #gdansk #artinpl #nationalmuseuminwarsaw #repousse #cast #cartouche