Franciszek Bieliński

Franciszek Bieliński was a Grand Marshal of the Crown in the Polish-Lithuanian Commonwealth and a strong proponent of the expansion and the modernisation of the city of Warsaw in the 18th century during rococo period
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Dorota Henryka Przebendowska by Hirsz Leybowicz, 1747-1758 (PD-art/old), Muzeum Narodowe w Warszawie (MNW)

Dorota Henryka Przebendowska by Hirsz Leybowicz, 1747-1758 (PD-art/old), Muzeum Narodowe w Warszawie (MNW)

Bieliński coat of arms (Junosza) surrounded by a panoply of late baroque decorations on the main facade of the Palace in Otwock Wielki, attributed to Ambroggio Gatti, ca. 1696

Bieliński coat of arms (Junosza) surrounded by a panoply of late baroque decorations on the main facade of the Palace in Otwock Wielki, attributed to Ambroggio Gatti, ca.

Portrait of Franciszek Bieliński, Grand Marshal of the Crown, holding the insignium of his power in the parliament - the Marshal's cane by Anonymous, ca. 1742 (PD-art/old), Muzeum Zamoyskich w Kozłówce

Portrait of Franciszek Bieliński, Grand Marshal of the Crown, holding the insignium of his power in the parliament - the Marshal's cane by Anonymous, ca. 1742 (PD-art/old), Muzeum Zamoyskich w Kozłówce

Map of the City of Warsaw by Pierre Ricaud de Tirregaille, 1762 (PD-art/old), Biblioteka Narodowa, sponsored by Franciszek Bieliński, a strong proponent of the expansion and the modernisation of the city, his sumptuous rococo palace was depicted in upper right corner

Map of the City of Warsaw by Pierre Ricaud de Tirregaille, 1762 (PD-art/old), Biblioteka Narodowa, sponsored by Franciszek Bieliński, a strong proponent of the expansion and the modernisation of the city, his sumptuous rococo palace was depicted in upper right corner

Portrait of Teresa Łubieńska née Bielińska by Ádám Mányoki, 1712-1713 (PD-art/old), Muzeum Łazienki Królewskie (MLK), from the collection of Stanislaus Augustus, Teresa was a younger sister of Franciszek Bieliński

Portrait of Teresa Łubieńska née Bielińska by Ádám Mányoki, (PD-art/old), Muzeum Łazienki Królewskie (MLK), from the collection of Stanislaus Augustus, Teresa was a younger sister of Franciszek Bieliński

Palace in Otwock Wielki was constructed as a summer residence for Kazimierz Ludwik Bieliński between 1682 -1689, possibly under supervision of Tylman Gamerski, Carlo Ceroni or Józef Fontana; Franciszek Bieliński, Grand Marshal of the Crown renovated the palace in 1757

Palace of the Bieliński noble family in Otwock Wielki, Poland, built in late century and extended in century.

Portrait of Marianna Denhoffowa née Bielińska by Ádám Mányoki, before 1719 (PD-art/old), Muzeum Łazienki Królewskie (MLK), from the collection of Stanislaus Augustus, Marianna was a younger sister of Franciszek Bieliński and mistress of King Augustus II

Marianna z Bielińskich Denhoffowa-Lubomirska

Trumeau of the study in the Bieliński Palace in Warsaw by Pierre Chenu after Juste Aurèle Meissonnier, ca. 1742-1748 (PD-art/old), Cooper Hewitt, Smithsonian Design Museum, Meissonnier created the interior with painted panels representing Zephyr and Flora and Venus and Adonis, pier-glasses and a painted ceiling decorated with the chariot of the Sun, Muses and groups of emblematic of the Arts and Sciences in 1734 for Franciszek Bieliński

Trumeau of the study in the Bieliński Palace in Warsaw by Pierre Chenu after Juste Aurèle Meissonnier, ca. 1742-1748 (PD-art/old), Cooper Hewitt, Smithsonian Design Museum, Meissonnier created the interior with painted panels representing Zephyr and Flora and Venus and Adonis, pier-glasses and a painted ceiling decorated with the chariot of the Sun, Muses and groups of emblematic of the Arts and Sciences in 1734 for Franciszek Bieliński

Corner of the study with Zephyr and Flora in the Bieliński Palace in Warsaw by Pierre Chenu after Juste Aurèle Meissonnier, ca. 1742-1748 (PD-art/old), Cooper Hewitt, Smithsonian Design Museum, Meissonnier created the interior with painted panels representing Zephyr and Flora and Venus and Adonis, pier-glasses and a painted ceiling decorated with the chariot of the Sun, Muses and groups of emblematic of the Arts and Sciences in 1734 for Franciszek Bieliński

Large-scale drawing of a corner angle of Count Bielinski's Cabinet showing a window at left and a full-view painting of Zephyr and Flore at right. The painted shows a winged Zephyr holding the chin of Flore, surrounded with putti and garlands of flowers.

Ceiling design with Chariot of Apollo in the study in the Bieliński Palace in Warsaw by Juste Aurèle Meissonnier, 1734 (PD-art/old), Cooper Hewitt, Smithsonian Design Museum, designs for the Bieliński cabinet included furniture, an ornate fireplace and painted wall panels; after construction, the room was exhibited at the Tuileries in Paris before its dispatch to Warsaw in 1735

Drawing, Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet…

Sofa in the Bieliński Palace in Warsaw by Gabriel Huquier after Juste Aurèle Meissonnier, ca. 1745 (PD-art/old), Cooper Hewitt, Smithsonian Design Museum, Meissonnier created the sofa in 1735 for Franciszek Bieliński

Print, "Design of Small Sofa (Canapé) Made for Count Bielinski in 1735

Fireplace in the study in the Bieliński Palace in Warsaw by Pierre Chenu after Juste Aurèle Meissonnier, ca. 1742-1748 (PD-art/old), The Metropolitan Museum of Art, Meissonnier created the interior with painted panels representing Zephyr and Flora and Venus and Adonis, pier-glasses and a painted ceiling decorated with the chariot of the Sun, Muses and groups of emblematic of the Arts and Sciences in 1734 for Franciszek Bieliński

View of a wall elevation with a fireplace in the center. Over the mantel a large mirror has been placed which reflects part of the room and the half-opened double doors on the opposite end of it.

Portrait of Katarzyna Bielińska, Baroness of Besenval by Nicolas de Largillière, ca. 1716 (PD-art/old), Private collection, the younger sister of Franciszek Bieliński married in 1716 Jean Victor de Besenval, ambassador of France in the Polish-Lithuanian Commonwealth

The Baroness de Besenval is dressed in turn-of-the-century dress, but without fripon curls over the eyes, in this de Largillière portrait.

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